Top Stories
With jobs report, Trump follows playbook of rejecting unfavorable data

WASHINGTON (AP) — When the coronavirus surged during President Donald Trump’s first term, he called for a simple fix: Limit the amount of testing so the deadly outbreak looked less severe. When he lost the 2020 election, he had a ready-made reason: The vote count was fraudulent.
And on Friday, when the July jobs report revisions showed a distressed economy, Trump had an answer: He fired the official in charge of the data and called the report of a sharp slowdown in hiring “phony.”
Trump has a go-to playbook if the numbers reveal uncomfortable realities, and that’s to discredit or conceal the figures and to attack the messenger — all of which can hurt the president’s efforts to convince the world that America is getting stronger.
“Our democratic system and the strength of our private economy depend on the honest flow of information about our economy, our government and our society,” said Douglas Elmendorf, a Harvard University professor who was formerly director of the Congressional Budget Office. “The Trump administration is trying to suppress honest analysis.”
The president’s strategy carries significant risks for his own administration and a broader economy that depends on politics-free data. His denouncements threaten to lower trust in government and erode public accountability, and any manipulation of federal data could result in policy choices made on faulty numbers, causing larger problems for both the president and the country.
The White House disputes any claims that Trump wants to hide numbers that undermine his preferred narratives. It emphasized that Goldman Sachs found that the two-month revisions on the jobs report were the largest since 1968, outside of a recession, and that should be a source of concern regarding the integrity of the data. Trump’s aides say their fundamental focus is ensuring that any data gives an accurate view of reality.
Not the first time Trump has sought to play with numbers
Trump has a long history of dismissing data when it reflects poorly on him and extolling or even fabricating more favorable numbers, a pattern that includes his net worth, his family business, election results and government figures:
— Judge Arthur Engoron ruled in a lawsuit brought by the state of New York that Trump and his company deceived banks, insurers and others by massively overvaluing his assets and exaggerating his net worth on paperwork used in making deals and securing loans.
— Trump has claimed that the 2016 and 2020 presidential elections were each rigged. Trump won the 2016 presidential election by clinching the Electoral College, but he lost the popular vote to Hillary Clinton, a sore spot that led him to falsely claim that millions of immigrants living in the country illegally had cast ballots. He lost the 2020 election to Joe Biden but falsely claimed he had won it, despite multiple lawsuits failing to prove his case.
— In 2019, as Hurricane Dorian neared the East Coast, Trump warned Alabama that the storm was coming its way. Forecasters pushed back, saying Alabama was not at risk. Trump later displayed a map in the Oval Office that had been altered with a black Sharpie — his signature pen — to include Alabama in the potential path of the storm.
— Trump’s administration has stopped posting reports on climate change, canceled studies on vaccine access and removed data on gender identity from government sites.
— As pandemic deaths mounted, Trump suggested that there should be less testing. “When you do testing to that extent, you’re going to find more people,” Trump said at a June 2020 rally in Oklahoma. “You’re going to find more cases. So I said to my people, ‘Slow the testing down, please.’”
While Trump’s actions have drawn outcry from economists, scientists and public interest groups, Elmendorf noted that Trump’s actions regarding economic data could be tempered by Congress, which could put limits on Trump by whom he chooses to lead federal agencies, for example.
“Outside observers can only do so much,” Elmendorf said. “The power to push back against the president rests with the Congress. They have not exercised that power, but they could.”
White House says having its own people in place will make data ‘more reliable’
Kevin Hassett, director of the White House National Economic Council, took aim at the size of the downward revisions in the jobs report (a combined 258,000 reduction in May and June) to suggest that the report had credibility issues. He said Trump is focused on getting dependable numbers, despite the president linking the issue to politics by claiming the revisions were meant to make Republicans look bad.
“The president wants his own people there so that when we see the numbers, they’re more transparent and more reliable,” Hassett said Sunday on NBC News.
Jed Kolko, a senior fellow at the Peterson Institute for International Economics who oversaw the Census Bureau and Bureau of Economic Analysis during the Biden administration, stressed that revisions to the jobs data are standard. That’s because the numbers are published monthly, but not all surveys used are returned quickly enough to be in the initial publishing of the jobs report.
“Revisions solve the tension between timeliness and accuracy,” Kolko said. “We want timely data because policymakers and businesses and investors need to make decisions with the best data that’s available, but we also want accuracy.”
Kolko stressed the importance in ensuring that federal statistics are trustworthy not just for government policymakers but for the companies trying to gauge the overall direction of the economy when making hiring and investment choices.
“Businesses are less likely to make investments if they can’t trust data about how the economy is doing,” he said.
Not every part of the jobs report was deemed suspect by the Trump administration.
Before Trump ordered the firing of the Bureau of Labor Statistics commissioner, Erika McEntarfer, the White House rapid response social media account reposted a statement by Vice President JD Vance noting that native-born citizens were getting jobs and immigrants were not, drawing from data in the household tables in the jobs report.
Labor Secretary Lori Chavez-DeRemer also trumpeted the findings on native-born citizens, noting on Fox Business Network’s “Varney & Co.” that they are accounting “for all of the job growth, and that’s key.”
During his first run for the presidency, Trump criticized the economic data as being fake only to fully embrace the positive numbers shortly after he first entered the White House in 2017.
White House says transparency is a value
The challenge of reliable data goes beyond economic figures to basic information on climate change and scientific research.
In July, taxpayer-funded reports on the problems climate change is creating for America and its population disappeared from government websites. The White House initially said NASA would post the reports in compliance with a 1990 law, but the agency later said it would not because any legal obligations were already met by having reports submitted to Congress.
The White House maintains that it has operated with complete openness, posting a picture of Trump on Monday on social media with the caption, “The Most Transparent President in History.”
In the picture, Trump had his back to the camera and was covered in shadows, visibly blocking out most of the light in front of him.
___
Associated Press writer Michelle Price in Washington contributed to this report.
Top Stories
Robert Redford dies: Meryl Streep leads tributes to giant of American cinema, saying ‘one of the lions has passed’ – latest updates | Robert Redford

‘One of the lions has passed. Rest in peace my lovely friend’ – Meryl Streep pays tribute
Tributes are starting to appear on social media.
Meryl Streep, who starred in Out Of Africa and Lions For Lambs opposite Redford, said in a statement: “One of the lions has passed. Rest in peace my lovely friend.”

Stephen King said he was “part of a new and exciting Hollywood in the 70s and 80s”, while Marlee Matlin said a “genius has passed” and praised Redford for setting up Sundance film festival, which helped launch Coda.
Robert Redford has passed away. He was part of a new and exciting Hollywood in the 70s and 80s. Hard to believe he was 89.
— Stephen King (@StephenKing) September 16, 2025
Our film, CODA, came to the attention of everyone because of Sundance. And Sundance happened because of Robert Redford. A genius has passed. RIP Robert. pic.twitter.com/nwttVD1GvL
— Marlee Matlin (@MarleeMatlin) September 16, 2025
Redford founded the Sundance Film Institute in 1981 and it became a breeding ground for independent US cinema, helping to establish the careers of Richard Linklater, Ava DuVernay, Rian Johnson, Kevin Smith and Stephen Soderbergh.
Colman Domingo posted on X: “With love and admiration. Thank you Mr. Redford for your everlasting impact. Will be felt for generations. R.I.P.”
William Shatner has offered his “Condolences to the family of Robert Redford.”
James Dreyfus wrote on X: “RIP Robert Redford. Terrific actor, brilliant director. Truly legendary.”
Key events
The actor Antonio Banderas described Robert Redford as an “icon of cinema in every sense”.
He wrote on X: “Robert Redford leaves us, an icon of cinema in every sense. Actor, director, producer, and founder of the Sundance Festival. His talent will continue to move us forever, shining through the frames and in our memory. RIP.”
Spencer Cox, the governor of Utah, the US state where Robert Redford lived and held the annual Sundance Film Festival, said the actor “fell in love with this place”.
“He cherished our landscapes and built a legacy that made Utah a home for storytelling and creativity.
“Through Sundance and his devotion to conservation, he shared Utah with the world. Today we honour his life, his vision, and his lasting contribution to our state.”
Sundance statement about Redford
We are deeply saddened by the loss of our founder and friend Robert Redford.
Bob’s vision of a space and a platform for independent voices launched a movement that, over four decades later, has inspired generations of artists and redefined cinema in the US and around the world.
Beyond his enormous contributions to culture at large, we will miss his generosity, clarity of purpose, curiosity, rebellious spirit, and his love for the creative process. We are humbled to be among the stewards of his remarkable legacy, which will continue to guide the Institute in perpetuity.
“They wanted Steve McQueen”
ROBERT REDFORD & PAUL NEWMAN
Photograph: 20th Century Fox/Sportsphoto/Allstar
Over at the Independent, Martin Chilton has retold the story of the making of Butch Cassidy and the Sundance Kid. It’s got some great 1970s Hollywood moments: doubts about Redford as leading man, Steve McQueen bailing on the project over who would get top billing and daft amounts of money being thrown around by inexperienced producers.
Newman was Goldman’s choice from the moment the film was bought, but the casting for Sundance was trickier. Fox initially wanted Jack Lemmon, who had appeared in a 1958 western called Cowboy along with Glenn Ford. Lemmon was not keen on spending a lot of time riding horses again and told them he was not interested. The studio then turned their attention to Steve McQueen and although he liked the script, he dropped out, reportedly in a disagreement over who got top billing.
Newman’s wife Joanne Woodward suggested 32-year-old Redford, who had appeared in a few films but was better known as a stage actor. Zanuck, who was a production manager on the film, thought Redford was too lightweight for the role and changed his mind only after seeing raw footage of Newman and Redford together and realising that they had a true chemistry on screen.
“I wasn’t that well known at the time and although my agency thought I would be right for the part, 20th Century didn’t want me,” Redford told a television interviewer more than 40 years later. “They wanted Steve McQueen. But George, the director, went to the mat for me. They kept forcing him to look at other candidates but eventually they ran out of other actors.”
It’s a great read.
Jane Fonda on Redford: ‘He stood for an America we have to keep fighting for’
One of Redford’s close friends and regular contributors, Jane Fonda, has released an emotional statement about him following his death.
“It hit me hard this morning when I read that Bob was gone,” she wrote. “I can’t stop crying. He meant a lot to me and was a beautiful person in every way. He stood for an America we have to keep fighting for.”
Photograph: Claudio Onorati/EPA
The pair worked together on western dramedy the Electric Horseman, Gene Saks’ 1967 rom-com Barefoot in the Park, Arthur Penn directed the Chase (alongside Marlon Brando) and 1960 rom-com Tall Story.
They were both awarded a Golden Lion for lifetime achievement at the 2017 Venice film festival, where they also promoted their film Our Souls at Night.
Redford called working with Fonda, “easy”.
He added: “We’ve done many films over the years so it just worked out that way, that there was not a lot of discussion, we didn’t have to talk about a lot. Things just kind of fell into place between us, and there wasn’t much more to think about.”
Trump on Redford: ‘There was a period of time when he was the hottest’
The president has chimed in on the death of Redford, saying: “Robert Redford had a series of years where there was nobody better.”
Trump told reporters as he left the White House after a journalist told him that Redford had died. “There was a period of time when he was the hottest. I thought he was great.”
Redford’s stance on Trump changed over the years. In 2015 he told Larry King: “Look he’s got such a big foot in his mouth, I’m not sure you’re going to get it out. But on the other hand, I’m glad he’s in there.”
Photograph: Ken Cedeno/Reuters
He added: “I’m glad he’s in there because him being the way he is, and saying what he says the way he says it, I think shakes things up and I think that’s very needed. Because on the other side, it’s so bland, it’s so boring, it’s so empty.”
Four years later during the calls for Trump’s impeachment, Redford’s opinion shifted. “It is painfully clear we have a president who degrades everything he touches,” he wrote in a Washington Post comment piece. “A person who does not understand (or care?) that his duty is to defend our democracy.”
He expanded on those thoughts later in the same year, admitting he wanted to “give the guy a chance” when Trump was first elected. But he concluded that: “Instead of the United States of America, we are now defined as the Divided States of America”.
‘Tech deprives us of being inventive on our own’
The Guardian sat down with Redford in 2016 when he was promoting Disney’s remake of 1977 cult classic Pete’s Dragon, which we called: “Part ET, part Jungle Book, part Peanuts. It’s sweet and soulful and Spielberg-ish, but with a bitter streak”.
The conversation quickly veered away from the film’s story concerning the friendship between a young boy and a dragon and into the threat to creativity that technology presented, back when few people had heard the term Large Language Model.
“I grew up at a time when there was no television, there was just radio. You didn’t have the aggressive technology you have today. There’s so much high tech that it deprives us of being inventive on our own. Technology deprives us of coming up with our own stories. We’re relying on stories being fed to us through technology and since I grew up at a time when that didn’t exist, you had to make up your own stories.”
The full interview with Guardian US collaborator Dave Schilling is here:

Ryan Gilbey
Back in 2019, Ryan Gilbey set about ranking Redford’s top ten performances.
As always with Ranked, positioning and omissions are supposed to spark debate (or ignite endless arguing. Should Indecent Proposal have been excluded from the top ten? Was All the President’s Men only worthy of fourth place? The debate continues. Here’s Ryan’s number one entry, the aforementioned Butch Cassidy and the Sundance Kid:
Redford’s sole Oscar nomination for acting was, rather shockingly, for The Sting, a complacent 1973 con-man comedy. But it was his first pairing with Sting co-star Paul Newman that distils the performer’s essence. Although the movie is unable to fess up to its bromantic longings – did any woman in a buddy movie ever look more like a gooseberry than poor Katharine Ross? – it’s still worth seeing for Redford’s sunny charm. Even then, it seemed to trouble him faintly, as though he was worried we might take him for a himbo. The studio did. “He’s just another California blond,” said one executive. “Throw a stick out of a window in Malibu, you’ll hit six like him.” But Newman helped win him the part. Redford got a shock when he saw the first cut. “I said: ‘What the hell is that song doing in there? Raindrops? It’s not even raining. On a bicycle?’”
The full top ten is:
10. Brubaker (1980)
9. The Twilight Zone – “Nothing in the Dark” (1962)
8. The Great Gatsby (1974)
7. Sneakers (1992)
6. Three Days of the Condor (1975)
5. All Is Lost (2013)
4. All the President’s Men (1976)
3. The Candidate (1972)
2. Downhill Racer (1969)
1. Butch Cassidy and the Sundance Kid (1969)
‘One of the lions has passed. Rest in peace my lovely friend’ – Meryl Streep pays tribute
Tributes are starting to appear on social media.
Meryl Streep, who starred in Out Of Africa and Lions For Lambs opposite Redford, said in a statement: “One of the lions has passed. Rest in peace my lovely friend.”
Stephen King said he was “part of a new and exciting Hollywood in the 70s and 80s”, while Marlee Matlin said a “genius has passed” and praised Redford for setting up Sundance film festival, which helped launch Coda.
Robert Redford has passed away. He was part of a new and exciting Hollywood in the 70s and 80s. Hard to believe he was 89.
— Stephen King (@StephenKing) September 16, 2025
Our film, CODA, came to the attention of everyone because of Sundance. And Sundance happened because of Robert Redford. A genius has passed. RIP Robert. pic.twitter.com/nwttVD1GvL
— Marlee Matlin (@MarleeMatlin) September 16, 2025
Redford founded the Sundance Film Institute in 1981 and it became a breeding ground for independent US cinema, helping to establish the careers of Richard Linklater, Ava DuVernay, Rian Johnson, Kevin Smith and Stephen Soderbergh.
Colman Domingo posted on X: “With love and admiration. Thank you Mr. Redford for your everlasting impact. Will be felt for generations. R.I.P.”
William Shatner has offered his “Condolences to the family of Robert Redford.”
James Dreyfus wrote on X: “RIP Robert Redford. Terrific actor, brilliant director. Truly legendary.”
Scott Tobias
PAUL NEWMAN and ROBERT REDFORD POSTER Photograph: 20th Century Fox/Sportsphoto/Allstar
Our picture editors have pulled together a life in pictures gallery of Redford, which runs through his astonishing career. It spans his early career as an unlikely star and includes his honorary Oscar and the award of his Presidential Medal of Freedom.
There are a couple of entries that cover his collaborations with Paul Newman, including Butch Cassidy and the Sundance Kid (poster above). Here’s an excerpt from Scott Tobias’ 50th anniversary piece from 2019:
Right away, Goldman establishes Butch as a charismatic mouthpiece for the quip-ready screenwriter, contrasting nicely with the Sundance Kid, Robert Redford’s taciturn sharpshooter. But he’s also created two heroes who break the western mold, neither justice-seeking white-hats nor grizzled, sneering black-hats, and not as traditionally masculine as either party. Butch is a man who appreciates beauty and art, but doesn’t have the stomach for violence; it’s not until late in the film that we (and the Kid) discover that he’s never shot a man before and he looks sickened to have to do it. He’s a pleasure-seeker above all else: robbing banks and trains are his way to make an easy living and enjoy whatever sinful freedoms his vocation affords him.
Audiences in 1969 were all too happy to embrace the light, quippy irreverence of Butch Cassidy and the Sundance Kid after a turbulent summer, and Goldman, director George Roy Hill, and the two impossibly handsome stars made them feel cool for doing it. True Grit had performed well earlier in the year as a throwback to the genre’s past, giving John Wayne a proper victory lap, but Butch Cassidy was thoroughly modern, a star-making vehicle for Newman and Redford that reflected a need for the genre to turn the page and that feels as much of its time as it does authentic to Wyoming in the late 1890s. With Ross at the center of a love triangle between friends, the film attempted to bring Jules and Jim to the American mainstream, taking a lesson from the French new wave on how to revivify old Hollywood craft.
It still works spectacularly well.
The full gallery is here.

Peter Bradshaw
Robert Redford began his career as a blond bombshell at a time when American cinema favoured grit, then turned into a supremely assured director and unlikely keeper of the indie flame, writes Guardian film critic Peter Bradshaw in his appreciation:
As the 1960s turned into the 1970s, it wasn’t cool for star actors to be good-looking. The style was more a scuffed, grizzled, bleary, sweaty, paunchy and shlubby realness. The fashion was for leading men like Gene Hackman, Jack Nicholson, Woody Allen. Even a very beautiful man like Paul Newman had a kind of rugged, daylit quality. But Robert Redford was very different. Here was a supremely beautiful movie star who went on to direct, produce and then be the guardian and gatekeeper of commercial-indie US cinema at his Sundance Institute. And he was always an outlier.
When movie audiences thrilled to George Roy Hill’s western Butch Cassidy and the Sundance Kid in 1969, they knew that in breakout star Redford they had an almost indecently attractive male, however much he might dress it down with buckskins and moustaches, playing the devil-may-care outlaw Sundance Kid himself. His sardonic charisma and sexiness shone through. And when he cleaned himself up for other roles, teaming up again with Newman for the Jazz Age conmen caper The Sting in 1973, the effect was electric. Neatly trimmed and shaved, Robert Redford was just outrageously handsome, incandescently handsome, he was handsomeness on legs. His photograph was in the dictionary next to “handsome”.
Robert Redford, giant of American cinema, dies aged 89
Robert Redford, star of Hollywood classics including Butch Cassidy and the Sundance Kid, The Sting and All the President’s Men, has died aged 89.
Redford’s publicist Cindi Berger says the actor died earlier today at his home “at Sundance in the mountains of Utah – the place he loved, surrounded by those he loved.”
“He will be missed greatly,” Berger says, adding that the family are requesting privacy.
Redford was one of the defining movie stars of the 1970s, crossing with ease between the Hollywood new wave and the mainstream film industry, before also becoming an Oscar-winning director and producer in the ensuing decades. He played a key role in the establishment of American independent cinema by co-founding the Sundance film festival.
Born Charles Robert Redford in 1936, he grew up in Los Angeles and, after he was expelled from the University of Colorado, studied acting at the American Academy of Dramatic Arts. Redford’s film breakthrough arrived in 1965: an eye-catching role as a bisexual film star in Inside Daisy Clover opposite Natalie Wood, for which he was nominated for a Golden Globe.
After a series of solid Hollywood films, including The Chase and a screen adaptation of Barefoot in the Park, Redford had a huge hit with the 1969 outlaw western Butch Cassidy and the Sundance Kid, in which he starred opposite Paul Newman and Katharine Ross. It was nominated for seven Oscars, though none were for the actors.
Read the full story here:
Top Stories
Paige Bueckers nearly unanimous winner of WNBA Rookie of the Year

Dallas Wings guard Paige Bueckers was named the 2025 WNBA Rookie of the Year, the league announced Tuesday.
Bueckers is the seventh former UConn player to win the award, receiving 70 of 72 first-place votes from a media panel, while Washington Mystics guard Sonia Citron got the other two.
Bueckers was the No. 1 selection in April’s draft after helping the Huskies win their 12th national championship earlier that month.
A starter in all 36 appearances for the Wings, Bueckers averaged 19.2 points, 5.4 assists, 3.9 rebounds and 1.6 steals while shooting 47.4% from the floor and 88.8% from the free throw line. She led all WNBA rookies in total points (692), points per game, total assists (194) and assists per game. She was the only WNBA player this season who finished ranked in the top 10 in points, assists and steals per game.
Bueckers’ 44 points against the Los Angeles Sparks on Aug. 2 set a WNBA single-game rookie record. She made 17 of 21 shots from the field (81%), becoming the first player in WNBA history to score 40 or more points and shoot at least 80% from the field in a game.
The Wings went 10-30 and missed the playoffs but will be in the draft lottery again next season.
Bueckers joins Diana Taurasi (2004), Tina Charles (2010), Maya Moore (2011), Breanna Stewart (2016), Napheesa Collier (2019) and Crystal Dangerfield (2020) as UConn players who have earned this honor.
The rookie award has been given out since 1998, the second year of the WNBA. Bueckers is the 16th player drafted No. 1 who was voted Rookie of the Year.
Top Stories
Oscar-winning actor, director and activist Robert Redford passes away at 89 | Obituaries News

Robert Redford, the Oscar-winning actor, director and godfather of independent cinema as the founder of the Sundance Film Festival, has died at the age of 89.
Redford died “at his home at Sundance in the mountains of Utah – the place he loved, surrounded by those he loved”, publicist Cindi Berger said in a statement Tuesday.
Recommended Stories
list of 3 itemsend of list
No cause of death was provided.
The iconic American actor and director is best known for his acclaimed performances in 1976’s All the President’s Men and 1969’s Butch Cassidy and the Sundance Kid, where he made his breakthrough alongside Paul Newman as an affable outlaw in a hippy Western.
The tousled-haired, freckled actor made hearts beat faster in romantic roles such as Out of Africa, got political in The Candidate and All the President’s Men, and skewered his golden-boy image in roles like the alcoholic ex-rodeo champ in The Electric Horseman and the middle-aged millionaire who offers to buy sex in Indecent Proposal.
Redford was born in 1936 in West Los Angeles. His father was a milkman, and his mother, who he called “the strong member of the family”, was a stay-at-home mom, The Hollywood Reporter (THR) noted in 2014.
“I was always about breaking the rules,” he told THR. “I wanted to be away from Los Angeles because I felt it was going to the dogs. I didn’t want to be wherever I was. And I felt a certain suffocation. I wanted to be free.”
He never won the best actor Oscar, but his first outing as a director – the 1980 family drama Ordinary People – won Oscars for Best Picture and Best Director.
Redford also starred in 1973’s The Sting with Paul Newman, with whom he enjoyed a long, personal friendship before Newman passed away in 2008.
Their film Butch Cassidy and the Sundance Kid made blue-eyed Redford an overnight star, but he never felt comfortable with celebrity or the male starlet image that persisted late into his 60s.
“People have been so busy relating to how I look, it’s a miracle I didn’t become a self-conscious blob of protoplasm. It’s not easy being Robert Redford,” he once told New York Magazine.
His wavy blond hair and boyish grin made him the most desired of leading men, but he worked hard to transcend his looks – whether through his political advocacy, his willingness to take on unglamorous roles, or his dedication to providing a platform for low-budget movies.
Intensely private, he bought land in remote Utah in the early 1970s for his family retreat and enjoyed a level of privacy unknown to most superstars. He was married for more than 25 years to his first wife, Lola Van Wagenen, before their divorce in 1985. The pair had four children. One son died when he was only months old. His other son died in 2020.
He is survived by two daughters and German artist Sibylle Szaggars, who he married in 2009.
He used the millions he made as an actor to launch the Sundance Institute and Festival in the 1970s, promoting independent filmmaking long before small and quirky were fashionable. The festival has become one of the most influential independent film showcases in the world.
Redford used his star status to also quietly champion environmental causes such as the Natural Resources Defense Council and the National Wildlife Federation.
“Some people have analysis. I have Utah,” he once remarked.
Redford’s interest in politics began after he travelled across Europe following his mother’s death in his late teens, with notable experiences in Spain, Italy and France.
“It was the first time I developed any kind of a political view,” he told THR in 2014, “because I couldn’t care less about politics when I was growing up.”
Although he never showed an interest in entering politics, he often espoused a liberal viewpoint. In a 2017 interview, during the first term of US President Donald Trump, he told Esquire magazine that “politics is in a very dark place right now” and that Trump should “quit for our benefit”.
He told THR in 2014 that he had developed “kind of a dark view of life, looking at my own country”.
On October 5, 2018, the same day the US Senate voted to advance Brett Kavanaugh’s nomination to the US Supreme Court, Redford penned an essay on the Sundance website, calling American politics “a damn mess”.
“Tonight, for the first time I can remember, I feel out of place in the country I was born into and the citizenship I’ve loved my whole life,” Redford wrote in 2018. “For weeks I’ve watched with sadness as our civil servants have failed us, turning toward bigotry, mean-spiritedness, and mockery as the now-normal tools of the trade.”
Multiple women accused Kavanaugh of sexual misconduct in the 1980s during his confirmation hearings. He denied the allegations.
In 2001, Redford won an honorary, or lifetime achievement, Oscar award.
-
Business3 weeks ago
The Guardian view on Trump and the Fed: independence is no substitute for accountability | Editorial
-
Tools & Platforms1 month ago
Building Trust in Military AI Starts with Opening the Black Box – War on the Rocks
-
Ethics & Policy2 months ago
SDAIA Supports Saudi Arabia’s Leadership in Shaping Global AI Ethics, Policy, and Research – وكالة الأنباء السعودية
-
Events & Conferences4 months ago
Journey to 1000 models: Scaling Instagram’s recommendation system
-
Jobs & Careers3 months ago
Mumbai-based Perplexity Alternative Has 60k+ Users Without Funding
-
Podcasts & Talks2 months ago
Happy 4th of July! 🎆 Made with Veo 3 in Gemini
-
Education3 months ago
VEX Robotics launches AI-powered classroom robotics system
-
Education2 months ago
Macron says UK and France have duty to tackle illegal migration ‘with humanity, solidarity and firmness’ – UK politics live | Politics
-
Podcasts & Talks2 months ago
OpenAI 🤝 @teamganassi
-
Funding & Business3 months ago
Kayak and Expedia race to build AI travel agents that turn social posts into itineraries