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Travis Kelce Admits He Cried Proposing to Taylor Swift

Travis Kelce
shed a few tears while proposing
‘I’m an Emotional Guy’
Published
Travis Kelce is letting fans in on the moment he popped the question to Taylor Swift, and let’s just say he was a bundle of nerves.
The Kansas City Chiefs tight end opened up during a pre-game sit-down with Erin Andrews on Sunday, revealing the proposal had him tearing up. “There were a few tears here and there. I’m an emotional guy,” he admitted. “The palms were definitely sweating. It’s been an exciting ride up to this day. I can’t wait to spend the rest of my life with her.”
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Trav didn’t spill every detail, joking he wanted Taylor to “tell that story.” But he confirmed the milestone moment went down last month, right after she guest-starred on his and brother Jason Kelce’s “New Heights” podcast.
The Super Bowl champ got down on one knee, and soon after, the couple confirmed their engagement with a joint Instagram post in August. They shared sweet pics from the big day with the caption: “Your English teacher and your gym teacher are getting married 🧨”
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Robert Redford dies: Meryl Streep leads tributes to giant of American cinema, saying ‘one of the lions has passed’ – latest updates | Robert Redford

‘One of the lions has passed. Rest in peace my lovely friend’ – Meryl Streep pays tribute
Tributes are starting to appear on social media.
Meryl Streep, who starred in Out Of Africa and Lions For Lambs opposite Redford, said in a statement: “One of the lions has passed. Rest in peace my lovely friend.”

Stephen King said he was “part of a new and exciting Hollywood in the 70s and 80s”, while Marlee Matlin said a “genius has passed” and praised Redford for setting up Sundance film festival, which helped launch Coda.
Robert Redford has passed away. He was part of a new and exciting Hollywood in the 70s and 80s. Hard to believe he was 89.
— Stephen King (@StephenKing) September 16, 2025
Our film, CODA, came to the attention of everyone because of Sundance. And Sundance happened because of Robert Redford. A genius has passed. RIP Robert. pic.twitter.com/nwttVD1GvL
— Marlee Matlin (@MarleeMatlin) September 16, 2025
Redford founded the Sundance Film Institute in 1981 and it became a breeding ground for independent US cinema, helping to establish the careers of Richard Linklater, Ava DuVernay, Rian Johnson, Kevin Smith and Stephen Soderbergh.
Colman Domingo posted on X: “With love and admiration. Thank you Mr. Redford for your everlasting impact. Will be felt for generations. R.I.P.”
William Shatner has offered his “Condolences to the family of Robert Redford.”
James Dreyfus wrote on X: “RIP Robert Redford. Terrific actor, brilliant director. Truly legendary.”
Key events
The actor Antonio Banderas described Robert Redford as an “icon of cinema in every sense”.
He wrote on X: “Robert Redford leaves us, an icon of cinema in every sense. Actor, director, producer, and founder of the Sundance Festival. His talent will continue to move us forever, shining through the frames and in our memory. RIP.”
Spencer Cox, the governor of Utah, the US state where Robert Redford lived and held the annual Sundance Film Festival, said the actor “fell in love with this place”.
“He cherished our landscapes and built a legacy that made Utah a home for storytelling and creativity.
“Through Sundance and his devotion to conservation, he shared Utah with the world. Today we honour his life, his vision, and his lasting contribution to our state.”
Sundance statement about Redford
We are deeply saddened by the loss of our founder and friend Robert Redford.
Bob’s vision of a space and a platform for independent voices launched a movement that, over four decades later, has inspired generations of artists and redefined cinema in the US and around the world.
Beyond his enormous contributions to culture at large, we will miss his generosity, clarity of purpose, curiosity, rebellious spirit, and his love for the creative process. We are humbled to be among the stewards of his remarkable legacy, which will continue to guide the Institute in perpetuity.
“They wanted Steve McQueen”
ROBERT REDFORD & PAUL NEWMAN
Photograph: 20th Century Fox/Sportsphoto/Allstar
Over at the Independent, Martin Chilton has retold the story of the making of Butch Cassidy and the Sundance Kid. It’s got some great 1970s Hollywood moments: doubts about Redford as leading man, Steve McQueen bailing on the project over who would get top billing and daft amounts of money being thrown around by inexperienced producers.
Newman was Goldman’s choice from the moment the film was bought, but the casting for Sundance was trickier. Fox initially wanted Jack Lemmon, who had appeared in a 1958 western called Cowboy along with Glenn Ford. Lemmon was not keen on spending a lot of time riding horses again and told them he was not interested. The studio then turned their attention to Steve McQueen and although he liked the script, he dropped out, reportedly in a disagreement over who got top billing.
Newman’s wife Joanne Woodward suggested 32-year-old Redford, who had appeared in a few films but was better known as a stage actor. Zanuck, who was a production manager on the film, thought Redford was too lightweight for the role and changed his mind only after seeing raw footage of Newman and Redford together and realising that they had a true chemistry on screen.
“I wasn’t that well known at the time and although my agency thought I would be right for the part, 20th Century didn’t want me,” Redford told a television interviewer more than 40 years later. “They wanted Steve McQueen. But George, the director, went to the mat for me. They kept forcing him to look at other candidates but eventually they ran out of other actors.”
It’s a great read.
Jane Fonda on Redford: ‘He stood for an America we have to keep fighting for’
One of Redford’s close friends and regular contributors, Jane Fonda, has released an emotional statement about him following his death.
“It hit me hard this morning when I read that Bob was gone,” she wrote. “I can’t stop crying. He meant a lot to me and was a beautiful person in every way. He stood for an America we have to keep fighting for.”
Photograph: Claudio Onorati/EPA
The pair worked together on western dramedy the Electric Horseman, Gene Saks’ 1967 rom-com Barefoot in the Park, Arthur Penn directed the Chase (alongside Marlon Brando) and 1960 rom-com Tall Story.
They were both awarded a Golden Lion for lifetime achievement at the 2017 Venice film festival, where they also promoted their film Our Souls at Night.
Redford called working with Fonda, “easy”.
He added: “We’ve done many films over the years so it just worked out that way, that there was not a lot of discussion, we didn’t have to talk about a lot. Things just kind of fell into place between us, and there wasn’t much more to think about.”
Trump on Redford: ‘There was a period of time when he was the hottest’
The president has chimed in on the death of Redford, saying: “Robert Redford had a series of years where there was nobody better.”
Trump told reporters as he left the White House after a journalist told him that Redford had died. “There was a period of time when he was the hottest. I thought he was great.”
Redford’s stance on Trump changed over the years. In 2015 he told Larry King: “Look he’s got such a big foot in his mouth, I’m not sure you’re going to get it out. But on the other hand, I’m glad he’s in there.”
Photograph: Ken Cedeno/Reuters
He added: “I’m glad he’s in there because him being the way he is, and saying what he says the way he says it, I think shakes things up and I think that’s very needed. Because on the other side, it’s so bland, it’s so boring, it’s so empty.”
Four years later during the calls for Trump’s impeachment, Redford’s opinion shifted. “It is painfully clear we have a president who degrades everything he touches,” he wrote in a Washington Post comment piece. “A person who does not understand (or care?) that his duty is to defend our democracy.”
He expanded on those thoughts later in the same year, admitting he wanted to “give the guy a chance” when Trump was first elected. But he concluded that: “Instead of the United States of America, we are now defined as the Divided States of America”.
‘Tech deprives us of being inventive on our own’
The Guardian sat down with Redford in 2016 when he was promoting Disney’s remake of 1977 cult classic Pete’s Dragon, which we called: “Part ET, part Jungle Book, part Peanuts. It’s sweet and soulful and Spielberg-ish, but with a bitter streak”.
The conversation quickly veered away from the film’s story concerning the friendship between a young boy and a dragon and into the threat to creativity that technology presented, back when few people had heard the term Large Language Model.
“I grew up at a time when there was no television, there was just radio. You didn’t have the aggressive technology you have today. There’s so much high tech that it deprives us of being inventive on our own. Technology deprives us of coming up with our own stories. We’re relying on stories being fed to us through technology and since I grew up at a time when that didn’t exist, you had to make up your own stories.”
The full interview with Guardian US collaborator Dave Schilling is here:

Ryan Gilbey
Back in 2019, Ryan Gilbey set about ranking Redford’s top ten performances.
As always with Ranked, positioning and omissions are supposed to spark debate (or ignite endless arguing. Should Indecent Proposal have been excluded from the top ten? Was All the President’s Men only worthy of fourth place? The debate continues. Here’s Ryan’s number one entry, the aforementioned Butch Cassidy and the Sundance Kid:
Redford’s sole Oscar nomination for acting was, rather shockingly, for The Sting, a complacent 1973 con-man comedy. But it was his first pairing with Sting co-star Paul Newman that distils the performer’s essence. Although the movie is unable to fess up to its bromantic longings – did any woman in a buddy movie ever look more like a gooseberry than poor Katharine Ross? – it’s still worth seeing for Redford’s sunny charm. Even then, it seemed to trouble him faintly, as though he was worried we might take him for a himbo. The studio did. “He’s just another California blond,” said one executive. “Throw a stick out of a window in Malibu, you’ll hit six like him.” But Newman helped win him the part. Redford got a shock when he saw the first cut. “I said: ‘What the hell is that song doing in there? Raindrops? It’s not even raining. On a bicycle?’”
The full top ten is:
10. Brubaker (1980)
9. The Twilight Zone – “Nothing in the Dark” (1962)
8. The Great Gatsby (1974)
7. Sneakers (1992)
6. Three Days of the Condor (1975)
5. All Is Lost (2013)
4. All the President’s Men (1976)
3. The Candidate (1972)
2. Downhill Racer (1969)
1. Butch Cassidy and the Sundance Kid (1969)
‘One of the lions has passed. Rest in peace my lovely friend’ – Meryl Streep pays tribute
Tributes are starting to appear on social media.
Meryl Streep, who starred in Out Of Africa and Lions For Lambs opposite Redford, said in a statement: “One of the lions has passed. Rest in peace my lovely friend.”
Stephen King said he was “part of a new and exciting Hollywood in the 70s and 80s”, while Marlee Matlin said a “genius has passed” and praised Redford for setting up Sundance film festival, which helped launch Coda.
Robert Redford has passed away. He was part of a new and exciting Hollywood in the 70s and 80s. Hard to believe he was 89.
— Stephen King (@StephenKing) September 16, 2025
Our film, CODA, came to the attention of everyone because of Sundance. And Sundance happened because of Robert Redford. A genius has passed. RIP Robert. pic.twitter.com/nwttVD1GvL
— Marlee Matlin (@MarleeMatlin) September 16, 2025
Redford founded the Sundance Film Institute in 1981 and it became a breeding ground for independent US cinema, helping to establish the careers of Richard Linklater, Ava DuVernay, Rian Johnson, Kevin Smith and Stephen Soderbergh.
Colman Domingo posted on X: “With love and admiration. Thank you Mr. Redford for your everlasting impact. Will be felt for generations. R.I.P.”
William Shatner has offered his “Condolences to the family of Robert Redford.”
James Dreyfus wrote on X: “RIP Robert Redford. Terrific actor, brilliant director. Truly legendary.”
Scott Tobias
PAUL NEWMAN and ROBERT REDFORD POSTER Photograph: 20th Century Fox/Sportsphoto/Allstar
Our picture editors have pulled together a life in pictures gallery of Redford, which runs through his astonishing career. It spans his early career as an unlikely star and includes his honorary Oscar and the award of his Presidential Medal of Freedom.
There are a couple of entries that cover his collaborations with Paul Newman, including Butch Cassidy and the Sundance Kid (poster above). Here’s an excerpt from Scott Tobias’ 50th anniversary piece from 2019:
Right away, Goldman establishes Butch as a charismatic mouthpiece for the quip-ready screenwriter, contrasting nicely with the Sundance Kid, Robert Redford’s taciturn sharpshooter. But he’s also created two heroes who break the western mold, neither justice-seeking white-hats nor grizzled, sneering black-hats, and not as traditionally masculine as either party. Butch is a man who appreciates beauty and art, but doesn’t have the stomach for violence; it’s not until late in the film that we (and the Kid) discover that he’s never shot a man before and he looks sickened to have to do it. He’s a pleasure-seeker above all else: robbing banks and trains are his way to make an easy living and enjoy whatever sinful freedoms his vocation affords him.
Audiences in 1969 were all too happy to embrace the light, quippy irreverence of Butch Cassidy and the Sundance Kid after a turbulent summer, and Goldman, director George Roy Hill, and the two impossibly handsome stars made them feel cool for doing it. True Grit had performed well earlier in the year as a throwback to the genre’s past, giving John Wayne a proper victory lap, but Butch Cassidy was thoroughly modern, a star-making vehicle for Newman and Redford that reflected a need for the genre to turn the page and that feels as much of its time as it does authentic to Wyoming in the late 1890s. With Ross at the center of a love triangle between friends, the film attempted to bring Jules and Jim to the American mainstream, taking a lesson from the French new wave on how to revivify old Hollywood craft.
It still works spectacularly well.
The full gallery is here.

Peter Bradshaw
Robert Redford began his career as a blond bombshell at a time when American cinema favoured grit, then turned into a supremely assured director and unlikely keeper of the indie flame, writes Guardian film critic Peter Bradshaw in his appreciation:
As the 1960s turned into the 1970s, it wasn’t cool for star actors to be good-looking. The style was more a scuffed, grizzled, bleary, sweaty, paunchy and shlubby realness. The fashion was for leading men like Gene Hackman, Jack Nicholson, Woody Allen. Even a very beautiful man like Paul Newman had a kind of rugged, daylit quality. But Robert Redford was very different. Here was a supremely beautiful movie star who went on to direct, produce and then be the guardian and gatekeeper of commercial-indie US cinema at his Sundance Institute. And he was always an outlier.
When movie audiences thrilled to George Roy Hill’s western Butch Cassidy and the Sundance Kid in 1969, they knew that in breakout star Redford they had an almost indecently attractive male, however much he might dress it down with buckskins and moustaches, playing the devil-may-care outlaw Sundance Kid himself. His sardonic charisma and sexiness shone through. And when he cleaned himself up for other roles, teaming up again with Newman for the Jazz Age conmen caper The Sting in 1973, the effect was electric. Neatly trimmed and shaved, Robert Redford was just outrageously handsome, incandescently handsome, he was handsomeness on legs. His photograph was in the dictionary next to “handsome”.
Robert Redford, giant of American cinema, dies aged 89
Robert Redford, star of Hollywood classics including Butch Cassidy and the Sundance Kid, The Sting and All the President’s Men, has died aged 89.
Redford’s publicist Cindi Berger says the actor died earlier today at his home “at Sundance in the mountains of Utah – the place he loved, surrounded by those he loved.”
“He will be missed greatly,” Berger says, adding that the family are requesting privacy.
Redford was one of the defining movie stars of the 1970s, crossing with ease between the Hollywood new wave and the mainstream film industry, before also becoming an Oscar-winning director and producer in the ensuing decades. He played a key role in the establishment of American independent cinema by co-founding the Sundance film festival.
Born Charles Robert Redford in 1936, he grew up in Los Angeles and, after he was expelled from the University of Colorado, studied acting at the American Academy of Dramatic Arts. Redford’s film breakthrough arrived in 1965: an eye-catching role as a bisexual film star in Inside Daisy Clover opposite Natalie Wood, for which he was nominated for a Golden Globe.
After a series of solid Hollywood films, including The Chase and a screen adaptation of Barefoot in the Park, Redford had a huge hit with the 1969 outlaw western Butch Cassidy and the Sundance Kid, in which he starred opposite Paul Newman and Katharine Ross. It was nominated for seven Oscars, though none were for the actors.
Read the full story here:
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Oscar-winning actor, director and activist Robert Redford passes away at 89 | Obituaries News

Robert Redford, the Oscar-winning actor, director and godfather of independent cinema as the founder of the Sundance Film Festival, has died at the age of 89.
Redford died “at his home at Sundance in the mountains of Utah – the place he loved, surrounded by those he loved”, publicist Cindi Berger said in a statement Tuesday.
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No cause of death was provided.
The iconic American actor and director is best known for his acclaimed performances in 1976’s All the President’s Men and 1969’s Butch Cassidy and the Sundance Kid, where he made his breakthrough alongside Paul Newman as an affable outlaw in a hippy Western.
The tousled-haired, freckled actor made hearts beat faster in romantic roles such as Out of Africa, got political in The Candidate and All the President’s Men, and skewered his golden-boy image in roles like the alcoholic ex-rodeo champ in The Electric Horseman and the middle-aged millionaire who offers to buy sex in Indecent Proposal.
Redford was born in 1936 in West Los Angeles. His father was a milkman, and his mother, who he called “the strong member of the family”, was a stay-at-home mom, The Hollywood Reporter (THR) noted in 2014.
“I was always about breaking the rules,” he told THR. “I wanted to be away from Los Angeles because I felt it was going to the dogs. I didn’t want to be wherever I was. And I felt a certain suffocation. I wanted to be free.”
He never won the best actor Oscar, but his first outing as a director – the 1980 family drama Ordinary People – won Oscars for Best Picture and Best Director.
Redford also starred in 1973’s The Sting with Paul Newman, with whom he enjoyed a long, personal friendship before Newman passed away in 2008.
Their film Butch Cassidy and the Sundance Kid made blue-eyed Redford an overnight star, but he never felt comfortable with celebrity or the male starlet image that persisted late into his 60s.
“People have been so busy relating to how I look, it’s a miracle I didn’t become a self-conscious blob of protoplasm. It’s not easy being Robert Redford,” he once told New York Magazine.
His wavy blond hair and boyish grin made him the most desired of leading men, but he worked hard to transcend his looks – whether through his political advocacy, his willingness to take on unglamorous roles, or his dedication to providing a platform for low-budget movies.
Intensely private, he bought land in remote Utah in the early 1970s for his family retreat and enjoyed a level of privacy unknown to most superstars. He was married for more than 25 years to his first wife, Lola Van Wagenen, before their divorce in 1985. The pair had four children. One son died when he was only months old. His other son died in 2020.
He is survived by two daughters and German artist Sibylle Szaggars, who he married in 2009.
He used the millions he made as an actor to launch the Sundance Institute and Festival in the 1970s, promoting independent filmmaking long before small and quirky were fashionable. The festival has become one of the most influential independent film showcases in the world.
Redford used his star status to also quietly champion environmental causes such as the Natural Resources Defense Council and the National Wildlife Federation.
“Some people have analysis. I have Utah,” he once remarked.
Redford’s interest in politics began after he travelled across Europe following his mother’s death in his late teens, with notable experiences in Spain, Italy and France.
“It was the first time I developed any kind of a political view,” he told THR in 2014, “because I couldn’t care less about politics when I was growing up.”
Although he never showed an interest in entering politics, he often espoused a liberal viewpoint. In a 2017 interview, during the first term of US President Donald Trump, he told Esquire magazine that “politics is in a very dark place right now” and that Trump should “quit for our benefit”.
He told THR in 2014 that he had developed “kind of a dark view of life, looking at my own country”.
On October 5, 2018, the same day the US Senate voted to advance Brett Kavanaugh’s nomination to the US Supreme Court, Redford penned an essay on the Sundance website, calling American politics “a damn mess”.
“Tonight, for the first time I can remember, I feel out of place in the country I was born into and the citizenship I’ve loved my whole life,” Redford wrote in 2018. “For weeks I’ve watched with sadness as our civil servants have failed us, turning toward bigotry, mean-spiritedness, and mockery as the now-normal tools of the trade.”
Multiple women accused Kavanaugh of sexual misconduct in the 1980s during his confirmation hearings. He denied the allegations.
In 2001, Redford won an honorary, or lifetime achievement, Oscar award.
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Judge dismisses two top charges against Luigi Mangione in UnitedHealthcare CEO shooting | Brian Thompson shooting

Luigi Mangione scored a major legal victory on Tuesday with a judge dismissing the two top state charges against him: first-degree murder and second-degree murder, both of which prosecutors had argued were terrorism crimes.
Mangione still faces an additional second-degree murder charge, as well as a federal murder charge, in the killing of United HealthCare executive Brian Thompson last December.
The judge overseeing Mangione’s state criminal case, Gregory Carro, said “the evidence put forth was legally insufficient” for the two terrorism-related charges, in a written decision that was posted during a 15-minute proceeding in Manhattan court on Tuesday.
“Counts 1 and 2, charging defendant with Murder in the First Degree (in furtherance of an act of terrorism) and Murder in the Second Degree as a Crime of Terrorism, are dismissed as legally insufficient,” Carro wrote. “The People presented legally sufficient evidence of all other counts, including Murder in the Second Degree (intentional).”
Mangione also faces federal charges for allegedly gunning down Thompson outside a hotel, and weapons possession counts.
Mangione’s defense had also argued his case should be dismissed for double jeopardy – being prosecuted twice for the same crime – because he was charged with murder in both state and federal court, but the judge rejected that. He pointed to a supreme court decision stipulating that state and federal government are “two sovereigns”, and “where there are two sovereigns, there are two laws, and two offenses”. “Thus, there is no double jeopardy violation,” he wrote.
Carro also rejected the defense’s bid to put Mangione’s state case on hold so that he could face his federal trial first. Mangione’s team has contended that testifying in the state case could harm his defense in the federal death penalty trial, and claimed the timing could violate his right against self-incrimination.
Mangione entered the Manhattan courtroom just before 9.30am, wearing khaki jail scrubs, with handcuffed wrists and shackled ankles. His appearance came six days after the rightwing commentator Charlie Kirk was shot dead during an event at Utah Valley University. The shootings of Thompson and Kirk have prompted highly politicized rhetoric.
Although a motive in Kirk’s shooting remains unknown, conservatives have used the incident to call for the investigation of progressive political groups. Donald Trump has demanded the death penalty against the suspected Kirk shooter, Tyler Robinson, and his justice department is seeking the death penalty for Mangione.
The US attorney general, Pam Bondi, called Thompson’s killing “a premeditated, cold-blooded assassination that shocked America”. Bondi said her decision was in step with “Trump’s agenda to stop violent crime and make America safe again”.
The killing sparked a contentious public debate about US healthcare that crossed the political aisle, with some praising Mangione and denouncing healthcare companies and many others outraged that a murder would be used to air political grievances.
On Tuesday outside the 100 Centre Street courtroom, as with his prior court appearances, Mangione supporters gathered for a glimpse of him, lining up for courtroom seats and fanning themselves with yellow index cards that guaranteed entry. One woman wore a black T-shirt emblazoned with “FREE LUIGI” and another a white one reading “LUIGI’S PIZZA”.
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