Ethics & Policy
Scarlett Johansson, Jonathan Bailey’s Jurassic World Rebirth: Is The Jurassic Park Franchise, Above All, A Study In Human Hubris?
Jurassic World Rebirth: Is The Jurassic Park Franchise, Above All, A Study In Human Hubris?
It was 1993, and I still remember the first time I stepped into a movie theatre, my small hand wrapped tightly in my father’s—a rare and special outing. The film was Steven Spielberg’s Jurassic Park, and from the moment the screen lit up, I was spellbound. Spielberg didn’t just bring dinosaurs to life; he resurrected a sense of wonder. With a masterful blend of awe, imagination, and fear, he transported us to a world where the prehistoric past wasn’t just history—it was suddenly, thrillingly, real. Over the years, each of the films in the franchise, irrespective of their box office has remained personal favourites.
Now, as anticipation builds for the latest in the franchise – Jurassic World Rebirth, one cannot help but revisit the legacy of a cinematic universe that began over three decades ago. And while Rebirth promises to introduce a fresh cast in Scarlett Johansson and Jonathan Bailey, along with new evolutionary twists to the prehistoric chaos, at its core, the film is perhaps yet another chapter in a cautionary tale about human ambition, the illusion of control, the act of playing God and ultimately, the enduring theme of hubris.
Ever since its inception with the 1993 classic Jurassic Park, the franchise has always been more than just a ground-breaking showcase of visual effects and dinosaur thrill. Based on Michael Chrichton’s novel of the same name, Jurassic Park struck a chord because amidst all its visual spectacle, it questioned the ethics of scientific overreach and moral dilemma. In its introduction of John Hammond, the billionaire whose dream of resurrecting the prehistoric creatures through genetic engineering, it paved the path of showcasing what happens when Man plays God.
The now-iconic line, “Your scientists were so preoccupied with whether they could, they didn’t stop to think if they should,” uttered by Dr. Ian Malcolm, serves as the franchise’s moral compass—one that every subsequent film has circled back to.
With the 1997 The Lost World: Jurassic Park, Spielberg continued the narrative, taking the audience to Isla Sorna, a second island where dinosaurs roamed free without human interference. However, human greed prevailed —this time in the form of corporate exploitation, as InGen attempted to bring dinosaurs to the mainland to score a profit. What followed was an inevitable carnage that underscored the impossibility of domesticating nature.
Similarly, Joe Johnston’s Jurassic Park III, which released in 2001, and is often considered to be the weakest in the series, Dr Alan Grant was tricked into returning to Isl Sorna, becoming, in the process, witness to the folly of human arrogance once more. The film underscored the message that the past is not a petting zoo, and prehistoric creatures, once unleashed, cannot be conveniently contained.
In 2015, after a 14-year-hiatus, Jurassic World rebooted the franchise for a new generation, while also introducing Chris Pratt to the franchise. The original theme park dream had finally been realized and Jurassic World was a fully functioning tourist destination. However, both the world and the dinosaurs ad changed. And in a bid to wow increasingly desensitised audiences (a meta-commentary on blockbuster culture itself), scientists created the Indominus rex, a genetically engineered hybrid designed for maximum spectacle. However, as luck would have had, the monster broke free, triggering chaos that was all too familiar yet chillingly relevant. The film, very craftily reframed hubris not just as scientific overreach but rather as capitalist excess – tampering with nature to meet consumer demand.
2018’s Jurassic World Fallen Kingdom doubled down on the consequence. When a volcanic eruption threatens Isla Nublar, a rescue mission became a smokescreen for corporate malfeasance. Dinosaurs were auctioned off as weapons and luxury pets, and genetic manipulation reached disturbing new heights with the introduction of the Indoraptor.
The film, interestingly, also included a twist in the cloned human child, Maisie Lockwood, who became central to the story, blurring the line between science fiction and ethical dilemma. As dinosaurs escaped into the human world by the film’s conclusion, the franchise moved into uncharted territory — a world where humans must learn to coexist with dinosaurs.
Jurassic World Dominion (2022) brought back legacy characters like Ellie Sattler, Alan Grant, and Ian Malcolm to confront the next wave of ecological imbalance. The film introduced genetically modified locusts, linking the franchise’s themes of bioengineering to real-world agricultural fears. Dominion reiterated the franchise’s central warning: meddling with nature—whether through cloning, commodification, or control—inevitably leads to unintended consequences.
Now, as Jurassic World: Rebirth prepares to usher in a new era, questions abound. Will the franchise pivot toward a darker, more introspective tone, or lean into its blockbuster legacy? Early hints suggest that the story may tackle themes of accelerated evolution and unnatural selection, potentially pushing the franchise into speculative sci-fi territory.
The Jurassic saga has, over seven films, evolved from a man-versus-nature thriller to a meditation on ethics, technology, and ecological balance. What commenced as a simple premise – resurrecting dinosaurs – has metamorphosed into a sprawling narrative about the dangers of unchecked ambition and the illusion of control. Each film, in its own way, asks a chilling question: what happens when humanity refuses to learn from its mistakes?
As Jurassic World: Rebirth looms on the horizon, one cannot help but reflect that the message remains constant—when humans play god, nature doesn’t just fight back, it rewrites the rule book.
Ethics & Policy
Experts gather to discuss ethics, AI and the future of publishing
Publishing stands at a pivotal juncture, said Jeremy North, president of Global Book Business at Taylor & Francis Group, addressing delegates at the 3rd International Conference on Publishing Education in Beijing. Digital intelligence is fundamentally transforming the sector — and this revolution will inevitably create “AI winners and losers”.
True winners, he argued, will be those who embrace AI not as a replacement for human insight but as a tool that strengthens publishing’s core mission: connecting people through knowledge. The key is balance, North said, using AI to enhance creativity without diminishing human judgment or critical thinking.
This vision set the tone for the event where the Association for International Publishing Education was officially launched — the world’s first global alliance dedicated to advancing publishing education through international collaboration.
Unveiled at the conference cohosted by the Beijing Institute of Graphic Communication and the Publishers Association of China, the AIPE brings together nearly 50 member organizations with a mission to foster joint research, training, and innovation in publishing education.
Tian Zhongli, president of BIGC, stressed the need to anchor publishing education in ethics and humanistic values and reaffirmed BIGC’s commitment to building a global talent platform through AIPE.
BIGC will deepen academic-industry collaboration through AIPE to provide a premium platform for nurturing high-level, holistic, and internationally competent publishing talent, he added.
Zhang Xin, secretary of the CPC Committee at BIGC, emphasized that AIPE is expected to help globalize Chinese publishing scholarships, contribute new ideas to the industry, and cultivate a new generation of publishing professionals for the digital era.
Themed “Mutual Learning and Cooperation: New Ecology of International Publishing Education in the Digital Intelligence Era”, the conference also tackled a wide range of challenges and opportunities brought on by AI — from ethical concerns and content ownership to protecting human creativity and rethinking publishing values in higher education.
Wu Shulin, president of the Publishers Association of China, cautioned that while AI brings major opportunities, “we must not overlook the ethical and security problems it introduces”.
Catriona Stevenson, deputy CEO of the UK Publishers Association, echoed this sentiment. She highlighted how British publishers are adopting AI to amplify human creativity and productivity, while calling for global cooperation to protect intellectual property and combat AI tool infringement.
The conference aims to explore innovative pathways for the publishing industry and education reform, discuss emerging technological trends, advance higher education philosophies and talent development models, promote global academic exchange and collaboration, and empower knowledge production and dissemination through publishing education in the digital intelligence era.
yangyangs@chinadaily.com.cn
Ethics & Policy
Experts gather to discuss ethics, AI and the future of publishing
Publishing stands at a pivotal juncture, said Jeremy North, president of Global Book Business at Taylor & Francis Group, addressing delegates at the 3rd International Conference on Publishing Education in Beijing. Digital intelligence is fundamentally transforming the sector — and this revolution will inevitably create “AI winners and losers”.
True winners, he argued, will be those who embrace AI not as a replacement for human insight but as a tool that strengthens publishing”s core mission: connecting people through knowledge. The key is balance, North said, using AI to enhance creativity without diminishing human judgment or critical thinking.
This vision set the tone for the event where the Association for International Publishing Education was officially launched — the world’s first global alliance dedicated to advancing publishing education through international collaboration.
Unveiled at the conference cohosted by the Beijing Institute of Graphic Communication and the Publishers Association of China, the AIPE brings together nearly 50 member organizations with a mission to foster joint research, training, and innovation in publishing education.
Tian Zhongli, president of BIGC, stressed the need to anchor publishing education in ethics and humanistic values and reaffirmed BIGC’s commitment to building a global talent platform through AIPE.
BIGC will deepen academic-industry collaboration through AIPE to provide a premium platform for nurturing high-level, holistic, and internationally competent publishing talent, he added.
Zhang Xin, secretary of the CPC Committee at BIGC, emphasized that AIPE is expected to help globalize Chinese publishing scholarships, contribute new ideas to the industry, and cultivate a new generation of publishing professionals for the digital era.
Themed “Mutual Learning and Cooperation: New Ecology of International Publishing Education in the Digital Intelligence Era”, the conference also tackled a wide range of challenges and opportunities brought on by AI — from ethical concerns and content ownership to protecting human creativity and rethinking publishing values in higher education.
Wu Shulin, president of the Publishers Association of China, cautioned that while AI brings major opportunities, “we must not overlook the ethical and security problems it introduces”.
Catriona Stevenson, deputy CEO of the UK Publishers Association, echoed this sentiment. She highlighted how British publishers are adopting AI to amplify human creativity and productivity, while calling for global cooperation to protect intellectual property and combat AI tool infringement.
The conference aims to explore innovative pathways for the publishing industry and education reform, discuss emerging technological trends, advance higher education philosophies and talent development models, promote global academic exchange and collaboration, and empower knowledge production and dissemination through publishing education in the digital intelligence era.
yangyangs@chinadaily.com.cn
Ethics & Policy
Lavender’s Role in Targeting Civilians in Gaza
The world today is war-torn, starting with Russia’s attacks on Ukraine to Israel’s devastation in Palestine and now in Iran, putting the entire West Asia in jeopardy.
The geometrics of war has completely changed, from Blitzkrieg (lightning war) in World War II to the use of sophisticated and technologically driven missiles in these latest armed conflicts. The most recent wars are being driven by use of artificial intelligence (AI) to narrow down potential targets.
There have been multiple evidences which indicate that Israeli forces have deployed novel AI-driven targeting tools in Gaza. One system, nicknamed “Lavender” is an AI-enabled database that assigns risk scores to Gazans based on patterns in their personal data (communication, social connections) to identify “suspected Hamas or Islamic Jihad operatives”. Lavender has flagged up to 37,000 Palestinians as potential targets early in the war.
A second system, “Where is Daddy?”, uses mobile phone location tracking to notify operators when a marked individual is at home. The initial strikes using these automated generated systems targeted individuals in their private homes on the pretext of targeting the terrorists. But innocent women and young children also lost their lives in these attacks. This technology was developed as a replacement of human acumen and strategy to identify and target the suspects.
According to the Humans Rights Watch report (2024), around 70 per cent of people who have lost lives were women and children. The United Nations agency has also verified the details of 8,119 victims killed in Gaza from November 2023 to April 2024. The report showed that 44 per cent of the victims were children and 26 per cent were women. The humans are merely at the mercy of this sophisticated technology that identified the suspected militants and targeted them.
The use of AI-based tools like “Lavender” and “Where’s Daddy?” by Israel in its war against Palestine raises serious questions about the commitment of countries to the international legal framework and the ethics of war. Use of such sophisticated AI targeted tools puts the weaker nations at the dictate of the powerful nations who can use these technologies to inflict suffering for the non-combatants.
The international humanitarian law (IHL) and international human rights law (IHRL) play a critical yet complex role in the context of AI during conflict situations such as the Israel-Palestine Conflict. Such AI-based warfare violates the international legal framework principles of distinction, proportionality and precaution.
The AI systems do not inherently know who is a combatant. Investigations report that Lavender had an error rate on the order of 10 per cent and routinely flagged non-combatants (police, aid workers, people who merely shared a name with militants). The reported practice of pre-authorising dozens of civilian deaths per strike grossly violates the proportionality rule.
An attack is illegal if incidental civilian loss is “excessive” in relation to military gain. For example, one source noted that each kill-list target came with an allowed “collateral damage degree” (often 15–20) regardless of the specific context. Allowing such broad civilian loss per target contradicts IHL’s core balancing test (ICRC Rule 14).
The AI-driven process has eliminated normal safeguards (verification, warnings, retargeting). IHRL continues to apply alongside IHL in armed conflict contexts. In particular, the right to life (ICCPR Article 6) obliges states to prevent arbitrary killing.
The International Court of Justice has held that while the right to life remains in force during war, an “arbitrary deprivation of life” must be assessed by reference to the laws of war. In practice, this means that IHL’s rules become the benchmark for whether killings are lawful.
However, even accepting lex specialis (law overriding general law), the reported AI strikes raise grave human rights concerns especially the Right to Life (ICCPR Art. 6) and Right to Privacy (ICCPR Art. 17).
Ethics of war, called ‘jus in bello’ in the legal parlance, based on the principles of proportionality (anticipated moral cost of war) and differentiation (between combatants and non-combatants) has also been violated. Article 51(5) of Additional Protocol I of the 1977 Geneva Convention said that “an attack is disproportionate, and thus indiscriminate, if it may be expected to cause incidental loss of civilian life, injury to civilians, damage to civilian objects, or a combination thereof, which would be excessive in relation to the concrete and military advantage”.
The Israel Defense Forces have been indiscriminately using AI to target potential targets. These targets though aimed at targeting militants have been extended to the non-military targets also, thus causing casualties to the civilians and non-combatants. Methods used in a war is like a trigger which once warded off is extremely difficult to retract and reconcile. Such unethical action creates more fault lines and any alternate attempt at peace resolution and mediation becomes extremely difficult.
The documented features of systems like Lavender and Where’s Daddy, based on automated kill lists, minimal human oversight, fixed civilian casualty “quotas” and use of imprecise munitions against suspects in homes — appear to contravene the legal and ethical principles.
Unless rigorously constrained, such tools risk turning warfare into arbitrary slaughter of civilians, undermining the core humanitarian goals of IHL and ethics of war. Therefore, it is extremely important to streamline the unregulated use of AI in perpetuating war crimes as it undermines the legal and ethical considerations of humanity at large.
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