The Dallas Cowboys and cornerback DaRon Bland have agreed to a four-year extension worth $92 million, a source told ESPN.

The Cowboys were in discussions with Bland before the Micah Parsons trade, the source told ESPN.

Bland, 26, was named a first-team All-Pro in 2023 when he led the NFL with nine interceptions and set an NFL record for most returns for a touchdown in a season with five.

He has 14 interceptions in three seasons with the Cowboys since they selected him in the fifth round of the 2022 draft.

He is the second member of the Cowboys’ 2022 draft class to receive an extension this year, joining tight end Jake Ferguson, who signed a four-year, $52 million deal in July.

Jim Jarmusch has made anthology films before: Mystery Train (1989), Night on Earth (1991), Coffee and Cigarettes (2003). In fact, he could claim to be the pre-eminent specialist in this now very unfashionable movie form. But with his new one, a deeply pleasing and gently quietist triptych on the subject of family, he is giving us something new and personal.

It’s the sense of mortality and the gathering cloud of darkness over our heads as we enter middle age, a perpetual nagging worry about the health and happiness of our elderly parents, with the guilt and sadness of not going to see them, or seeing them only rarely, and the related feeling of closeness – or perhaps the opposite – with your siblings for whom these parents are the number one topic of conversation. Then there’s the feeling of relief mixed with dissatisfaction and unease on the long car journey home.

The movie is divided into three (apparently) unrelated panels of drama, events taking place in parallel in three different parts of the world: rural US, Dublin and Paris, and with images and gestures that fortuitously echo each other. In the first, Mayim Bialik and Adam Driver play siblings Emily and Jeff, making the arduous trip out into the countryside to see their ageing dad, played by Tom Waits. His place seems chaotic and on the verge of poverty, an instant source of worry to them both, and Jeff also reproaches himself with having given his dad money over the years. And yet in the course of their awkward visit, they are disconcerted to notice what appears to be a genuine Rolex on the old guy’s wrist and there is evidence that their father is slyly faking his elderly disarray for opaque reasons of his own.

Meanwhile, in Dublin, Charlotte Rampling plays a characteristically self-possessed and self-assured woman who is welcoming her two grownup daughters for their annual visit for tea. She is entirely content to make these visits a rarity. They are the trendy Tim (Vicky Krieps) with pink hair, and the more staid and uptight Lilith, played, a little stagily, by Cate Blanchett, with glasses and sensible shoes.

And finally, in Paris, siblings Skye and Billy – non-identical twins, in fact – are played by Indya Moore and Luka Sabbat; their parents have just died, apparently piloting a light aircraft in the Azores, a deadpan-jokey demise that the actors carry off with complete real-world seriousness. They pay a final visit to their late mum and dad’s Paris apartment, and chat to the housekeeper, played by iconic French veteran Françoise Lebrun. And they make a trip out to a storage depot and gaze at their parents’ belongings, crammed into a lockup. This was the material of their parents’ lives, and Skye and Billy have already wonderingly gone through old photos and marriage and birth certificates. It all seems like evidence of something. But what?

The movie returns us to an age-old question: who are or were our parents? Did they have real existences before we were born that we will never understand? And are our own existences destined to be effaced and rendered irrelevant or taboo by our own children? For me, the first and third sections are the most naturalistically convincing as portraits of real life, the second is more theatrical, although the weird, slyly comic echoes of each other in each of the sections undermine or at least complicate this reality effect. You might sit through this film waiting for a crisis or a confrontation: some explosion of temper or passionate demand for honesty. None will arrive. Basically, there is a contentment and calm here, an acceptance and a Zen simplicity that is a cleansing of the moviegoing palate, or perhaps the fiction-consuming palate in general. It is a film to savour.

A federal judge on Sunday issued a restraining order blocking the Trump administration from deporting 10 unaccompanied Guatemalan children back to their home country after lawyers said the removals would violate US laws.

The Washington DC-based district judge Sparkle Sooknanan ordered the administration to refrain from deporting the children for 14 days and called for a hearing at 12.30pm. The National Immigration Law Center, a pro-immigration advocacy group, brought the challenge on behalf of the children, who are ages 10-17.

Donald Trump’s administration struck an agreement with Guatemala that would allow the removal of unaccompanied children back to the country and planned to start deportations this weekend, one current and two former US officials told Reuters. The plans were first reported by CNN on Friday.

Trump, a Republican, kicked off a wide-ranging immigration crackdown after returning to the White House in January.

Children who arrive at US borders without a parent or guardian are classified as unaccompanied and sent to federal government-run shelters until they can be placed with a family member or foster home, a process outlined in federal law.

Melissa Johnston, director of the Office of Refugee Resettlement’s program for unaccompanied children, sent an email to staff on Thursday calling for a halt to the release of all Guatemalan children except for those sponsored by parents or legal guardians in the US, according to a copy reviewed by Reuters and one of the former officials.

In a legal complaint filed on Sunday, the National Immigration Law Center and Young Center for Immigrant Children’s Rights said the deportations would be a “clear violation of the unambiguous protections that Congress has provided them as vulnerable children”.

“Defendants are imminently planning to illegally transfer Plaintiffs to Immigration and Customs Enforcement (ICE) custody to put them on flights to Guatemala, where they may face abuse, neglect, persecution, or even torture, against their best interests,” the complaint read.

The US Department of Homeland Security, Ice’s parent agency, did not immediately respond to a request for comment. Guatemala’s foreign ministry declined to comment.

Sooknanan was appointed by President Joe Biden, a Democrat.