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Is algorithmic tourism shaping your travel?

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MUMBAI: The mango trees in Fort Kochi are heavy with fruit. A crow lets out a sharp caw from a branch overhead. The skies, bloated with the weight of the southwest monsoon, threaten to burst. In the lanes below, a tourist takes a selfie in front of an old Portuguese house, checks the frame, nods in approval, and walks past. A charming homestay nearby, rich with the smell of freshly brewed coffee and lined with creaky wooden floors, doesn’t get a second glance. It wasn’t on the list.

The scourge of algorithmic tourism (Representative pic)

This is what the age of algorithmic tourism looks like. It wears the illusion of choice while quietly narrowing the field. In Fort Kochi, the architecture rivals that of coastal towns in the Mediterranean. Terracotta roofs, crumbling facades with colonial insignias, bougainvillea-laced balconies. It could easily be mistaken for Lisbon or Granada, if not for the dense, humid air that clings to every surface. The monsoon is around the corner, and the land feels primed for it.

Yet there is something odd about this season. Unlike the year-end period, when the town brims with visitors from across the country and abroad, the mood now is quieter. Almost localised. The tourists now come from nearby districts within Kerala. The hotels, homestays, cafés and spice stores that buzz in December resemble abandoned movie sets. Foot traffic has not vanished, but the energy has.

Conversations with some homestay owners have it they are willing to let go of their properties. When asked why, they talk of a slow bleed. Most of these places, which include many cafés and restaurants no longer have the financial cushion to make it to the next season. It is not a collapse of demand, but a redirection of it.

The explanation becomes clear after a few conversations. The local tourists who arrive are not short of disposable income. Yet they seem to converge on the same handful of places. A deeper look reveals a pattern. Before arriving, most visitors perform an online search—Google, TripAdvisor, Instagram, and other aggregator platforms filter their options. These platforms dictate what is visible, what is reviewed, what ranks on top. What gets discovered, gets chosen.

As a result, the algorithm defines the itinerary. The same restaurants, the same photo-ops, the same ‘must-visit’ sites feature on everyone’s list. Exploration has been outsourced to a machine. The spontaneous detour, the accidental find, the happy accident, are all casualties in this arrangement.

What this does to a town like Fort Kochi is not just economic. It is existential. In previous seasons, travellers often stumbled into spaces tucked away in corners, led by instinct, conversations, or sheer luck. These discoveries built emotional memory. Now, the experience is about checking off digital boxes. Posing in the right places. Eating where the crowd eats. Leaving with stories that echo everyone else’s.

Local entrepreneurs have noticed the shift. Some homestay owners speak of a two-tier tourist season. Once the ‘algorithm-approved’ accommodations fill up, the remaining influx consists of guests who, by their own admission, stumbled into less-visible options after failing to secure rooms at the top-rated locations. These guests are often not the spenders needed to sustain boutique businesses.

The Mumbai-based Shashikant Shetty, a veteran restaurateur, has observed this across the country. In his view, the issue is systemic and not limited to Fort Kochi. He recalls visiting a well-reviewed restaurant only to find the real-world experience fell far short of its online reputation. According to him, the establishments that excel at digital marketing now attract a disproportionate share of the footfall, regardless of the quality they offer.

Shetty adds that this is a global issue. From small towns in Italy to temple towns in India, local economies are being reshaped by algorithm-driven traffic. Those who have cracked the code of visibility thrive. Others fade. This shift is as much about perception as it is about quality. The algorithm rewards consistency, packaging and familiarity—often at the cost of originality and depth.

Until travellers step beyond digital comfort zones, embrace uncertainty, and wander into the unknown, tourism will increasingly become a predictable, homogenised experience. The act of discovering something unlisted, or hidden in plain sight, now requires conscious resistance to the algorithm.

Back in Fort Kochi, the early monsoon finally peeks out of the clouds. A gentle drizzle grows into a downpour and washes the streets. In this weather, few tourists venture out. The ones who do, mostly clad in ponchos and clutching umbrellas, keep to familiar paths. Their destinations are the same ones the algorithm blessed the night before.

The question that lingers is not about the fate of a café or a homestay. It is about what tourism is becoming. If exploration is guided entirely by digital consensus, does the traveller still exist? Or has that figure been replaced by a tourist whose imagination is shaped in advance?

Perhaps, the true luxury now lies in wandering without a plan. Trusting instinct. Choosing the wrong alley. Finding something that hasn’t been reviewed, rated, or hash-tagged.

And perhaps it is time to ask: is travel still about discovery, or just a performance of what others have already seen?



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Where to Shop for Jewelry in Jaipur, India

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From left: Krishna Choudhary; traditional Indian jewelry at Royal Gems & Arts.

From left: Courtesy of Santi; Abhishek Bali


Jaipur has long seduced travelers with its warren of old bazaars, royal palaces, and glittering treasures. But behind one of the city’s pink façades lies a rarer find: Royal Gems & Arts, a jewelry business housed inside Saras Sadan, an 18th-century haveli, or mansion, a short walk from the iconic Hawa Mahal palace.

Run by ninth-generation jeweler Santi Choudhary with his wife, Shobha, and son, Krishna, the atelier feels like a museum and is open by appointment only. The Choudharys, descendants of the city’s founding families, supply exquisite pieces to royalty and collectors around the world.

Today, Santi oversees a trove of Mughal- and Rajput-inspired pieces, some of which have been loaned to the world’s top museums. Krishna joined the family business while studying Islamic and Indian art in London. In 2019, he started his own label, Santi, with an atelier in London’s Mayfair district showcasing bold, contemporary designs with rare stones set in gold, titanium, or platinum.

Together, the Choudharys’ shops offer a glimpse into India’s past and present—one rooted in Jaipur’s traditions, the other reinterpreting them for a new generation. While the haveli in Jaipur focuses on heritage designs, Santi in London crafts one-of-a-kind pieces, like a rare 18th-century, pyramid-shaped Colombian emerald set in 18-karat white gold with reverse-set diamonds. “Every antique stone we work with brings a mystery with it, and we add something to it for the future,” Krishna says.

Santi’s turquoise cartouche earrings.

Courtesy of Santi


Run by ninth-generation jeweler Santi Choudhary with his wife, Shobha, and son, Krishna, the atelier feels like a museum and is open by appointment only. The Choudharys, descendants of the city’s founding families, supply exquisite pieces to royalty and collectors around the world.

Today, Santi oversees a trove of Mughal- and Rajput-inspired pieces, some of which have been loaned to the world’s top museums. Krishna joined the family business while studying Islamic and Indian art in London. In 2019, he started his own label, Santi, with an atelier in London’s Mayfair district showcasing bold, contemporary designs with rare stones set in gold, titanium, or platinum.

Together, the Choudharys’ shops offer a glimpse into India’s past and present—one rooted in Jaipur’s traditions, the other reinterpreting them for a new generation. While the haveli in Jaipur focuses on heritage designs, Santi in London crafts one-of-a-kind pieces, like a rare 18th-century, pyramid-shaped Colombian emerald set in 18-karat white gold with reverse-set diamonds. “Every antique stone we work with brings a mystery with it, and we add something to it for the future,” Krishna says.

More Must-visit Jewelers in Jaipur

Tallin Jewels

Founded by Akshat Ghiya—a second-generation jeweler who was raised in India and Italy—this store has made a name for itself with its unconventional, contemporary pieces. Ghiya uses stones like pink and purple sapphire, onyx, citrine, and tourmaline to create wearable confections. 

Gyan Jaipur

This shop, which features striking geometric styles, is attached to a museum that holds more than 2,500 objects—textiles, coins, daggers, and jewelry—collected by the owners’ late father. 

The Gem Palace

Established in 1852, this store is a celebrity favorite. Princess Diana, Oprah, and Gwyneth Paltrow have all ogled the traditional Indian craftsmanship blended with contemporary design. After the eighth-generation jeweler Munnu Kasliwal died in 2012, his son Siddharth took over, and today runs the business alongside his brother, cousins, and uncle.

A version of this story appeared in the October 2025 issue of Travel + Leisure under the headline “Jaipur’s Crown Jewel.”



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8 apex predators to spot in Indian jungles – Times of India

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8 apex predators to spot in Indian jungles  Times of India



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Afghanistan's exiled women's cricketers to tour India during Women's ODI World Cup and play against domestic teams – Sky Sports

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