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Earth is spinning faster, making days shorter — but why?

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CNN
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Earth is spinning faster this summer, making the days marginally shorter and attracting the attention of scientists and timekeepers.

July 10 was the shortest day of the year so far, lasting 1.36 milliseconds less than 24 hours, according to data from the International Earth Rotation and Reference Systems Service and the US Naval Observatory, compiled by timeanddate.com. More exceptionally short days are coming on July 22 and August 5, currently predicted to be 1.34 and 1.25 milliseconds shorter than 24 hours, respectively.

The length of a day is the time it takes for the planet to complete one full rotation on its axis —24 hours or 86,400 seconds on average. But in reality, each rotation is slightly irregular due to a variety of factors, such as the gravitational pull of the moon, seasonal changes in the atmosphere and the influence of Earth’s liquid core. As a result, a full rotation usually takes slightly less or slightly more than 86,400 seconds — a discrepancy of just milliseconds that doesn’t have any obvious effect on everyday life.

However these discrepancies can, in the long run, affect computers, satellites and telecommunications, which is why even the smallest time deviations are tracked using atomic clocks, which were introduced in 1955. Some experts believe this could lead to a scenario similar to the Y2K problem, which threatened to bring modern civilization to a halt.

Atomic clocks count the oscillations of atoms held in a vacuum chamber within the clock itself to calculate 24 hours to the utmost degree of precision. We call the resulting time UTC, or Coordinated Universal Time, which is based on around 450 atomic clocks and is the global standard for timekeeping, as well as the time to which all our phones and computers are set.

Astronomers also keep track of Earth’s rotation — using satellites that check the position of the planet relative to fixed stars, for example — and can detect minute differences between the atomic clocks’ time and the amount of time it actually takes Earth to complete a full rotation. Last year, on July 5, 2024, Earth experienced the shortest day ever recorded since the advent of the atomic clock 65 years ago, at 1.66 milliseconds less than 24 hours.

“We’ve been on a trend toward slightly faster days since 1972,” said Duncan Agnew, a professor emeritus of geophysics at the Scripps Institution of Oceanography and a research geophysicist at the University of California, San Diego. “But there are fluctuations. It’s like watching the stock market, really. There are long-term trends, and then there are peaks and falls.”

In 1972, after decades of rotating relatively slowly, Earth’s spin had accumulated such a delay relative to atomic time that the International Earth Rotation and Reference Systems Service mandated the addition of a “leap second” to the UTC. This is similar to the leap year, which adds an extra day to February every four years to account for the discrepancy between the Gregorian calendar and the time it takes Earth to complete one orbit around the sun.

Since 1972, a total of 27 leap seconds have been added to the UTC, but the rate of addition has increasingly slowed, due to Earth speeding up; nine leap seconds were added throughout the 1970s while no new leap seconds have been added since 2016.

In 2022, the General Conference on Weights and Measures (CGPM) voted to retire the leap second by 2035, meaning we may never see another one added to the clocks. But if Earth keeps spinning faster for several more years, according to Agnew, eventually one second might need to be removed from the UTC. “There’s never been a negative leap second,” he said, “but the probability of having one between now and 2035 is about 40%.”

The shortest-term changes in Earth’s rotation, Agnew said, come from the moon and the tides, which make it spin slower when the satellite is over the equator and faster when it’s at higher or lower altitudes. This effect compounds with the fact that during the summer Earth naturally spins faster — the result of the atmosphere itself slowing down due to seasonal changes, such as the jet stream moving north or south; the laws of physics dictate that the overall angular momentum of Earth and its atmosphere must remain constant, so the rotation speed lost by the atmosphere is picked up by the planet itself. Similarly, for the past 50 years Earth’s liquid core has also been slowing down, with the solid Earth around it speeding up.

By looking at the combination of these effects, scientists can predict if an upcoming day could be particularly short. “These fluctuations have short-period correlations, which means that if Earth is speeding up on one day, it tends to be speeding up the next day, too,” said Judah Levine, a physicist and a fellow of the National Institute of Standards and Technology in the time and frequency division. “But that correlation disappears as you go to longer and longer intervals. And when you get to a year, the prediction becomes quite uncertain. In fact, the International Earth Rotation and Reference Systems Service doesn’t predict further in advance than a year.”

The spin rate of Earth is affected by many factors, but the moon and the tides have traditionally played a major role.

While one short day doesn’t make any difference, Levine said, the recent trend of shorter days is increasing the possibility of a negative leap second. “When the leap second system was defined in 1972, nobody ever really thought that the negative second would ever happen,” he noted. “It was just something that was put into the standard because you had to do it for completeness. Everybody assumed that only positive leap seconds would ever be needed, but now the shortening of the days makes (negative leap seconds) in danger of happening, so to speak.”

The prospect of a negative leap second raises concerns because there are still ongoing problems with positive leap seconds after 50 years, explained Levine. “There are still places that do it wrong or do it at the wrong time, or do it (with) the wrong number, and so on. And that’s with a positive leap second, which has been done over and over. There’s a much greater concern about the negative leap second, because it’s never been tested, never been tried.”

Because so many fundamental technologies systems rely on clocks and time to function, such as telecommunications, financial transactions, electric grids and GPS satellites just to name a few, the advent of the negative leap second is, according to Levine, somewhat akin to the Y2K problem — the moment at the turn of the last century when the world thought a kind of doomsday would ensue because computers might have been unable to negotiate the new date format, going from ’99’ to ’00.’

Climate change is also a contributing factor to the issue of the leap second, but in a surprising way. While global warming has had considerable negative impacts on Earth, when it comes to our timekeeping, it has served to counteract the forces that are speeding up Earth’s spin. A study published last year by Agnew in the journal Nature details how ice melting in Antarctica and Greenland is spreading over the oceans, slowing down Earth’s rotation — much like a skater spinning with their arms over their head, but spinning slower if the arms are tucked along the body.

“If that ice had not melted, if we had not had global warming, then we would already be having a leap negative leap second, or we would be very close to having it,” Agnew said. Meltwater from Greenland and Antarctica ice sheets has is responsible for a third of the global sea level rise since 1993, according to NASA.

A view of Shoesmith Glacier on Horseshoe Island in Antarctica. Melting ice here and in Greenland is affecting Earth's rotation speed.

The mass shift of this melting ice is not only causing changes in Earth’s rotation speed, but also in its rotation axis, according to research led by Benedikt Soja, an assistant professor at the department of civil, environmental and geomatic engineering of The Swiss Federal Institute of Technology in Zurich, Switzerland. If warming continues, its effect might become dominant. “By the end of this century, in a pessimistic scenario (in which humans continue to emit more greenhouse gases) the effect of climate change could surpass the effect of the moon, which has been really driving Earth’s rotation for the past few billions of years,” Soja said.

At the moment, potentially having more time to prepare for action is helpful, given the uncertainty of long-term predictions on Earth’s spinning behavior. “I think the (faster spinning) is still within reasonable boundaries, so it could be natural variability,” Soja said. “Maybe in a few years, we could see again a different situation, and long term, we could see the planet slowing down again. That would be my intuition, but you never know.”

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Robert Redford, magnetic Hollywood icon and Sundance founder, dies at 89

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Robert Redford, the actor and director who sailed to Hollywood stardom with turns in classics such as “Butch Cassidy and the Sundance Kid” and “All the President’s Men” and invigorated American independent cinema as one of the founders of the Sundance Film Festival, died Tuesday morning.

He was 89.

Cindi Berger, his publicist, said he died at his home “in the mountains of Utah — the place he loved, surrounded by those he loved. He will be missed greatly. The family requests privacy.”

Redford was best known as a go-to leading man of the late 1960s and 1970s, instantly recognizable for his windswept hair and widely beloved for his easy charisma. But he was also an accomplished filmmaker, committed political activist, and culture-shaping entrepreneur.

He won the best director Oscar for the family melodrama “Ordinary People” (1980), the first of his nine stints behind the camera.

Redford’s expansive spirit will live on through the Sundance Institute, a nonprofit organization he founded in 1981 that sponsors the Sundance Film Festival. The festival, held annually in snowy Park City, Utah, showcases offbeat projects and helps launch the careers of new artists.

“I saw other stories out there that weren’t having a chance to be told and I thought, ‘Well, maybe I can commit my energies to giving those people a chance,’” Redford recalled in a 2018 interview. “As I look back on it, I feel very good about that.”

In a career that stretched across more than six decades, Redford won two Academy Awards, including an honorary prize in 2002 and three Golden Globe Awards, including the Cecil B. DeMille Award lifetime achievement honor in 1994.

President Barack Obama presents the Presidential Medal of Freedom to Robert Redford on Nov. 22, 2016.Andrew Harnik / AP file

President Barack Obama awarded Redford the Presidential Medal of Freedom in 2016, saying in remarks at the White House that Americans “admire Bob not just for his remarkable acting, but for having figured out what to do next.”

Charles Robert Redford Jr. was born Aug. 18, 1936, in the beachside community of Santa Monica, California, to Martha Hart and Charles Robert Redford Sr., a milkman turned oil company accountant.

The younger Redford described himself as a poor student who was more interested in the arts and athletics. He graduated from Van Nuys High School in 1954 and briefly attended the University of Colorado Boulder. He later ambled around Europe, soaking up the culture in France, Spain and Italy.

He eventually moved to New York City, enrolling in the American Academy of Dramatic Arts. He made his Broadway debut in the play “Tall Story” (1959) and went on to appear in several popular television shows of the early 1960s, including “Alfred Hitchcock Presents” and “The Twilight Zone.”

Redford’s most high-profile theatrical performance from the period was opposite Elizabeth Ashley in the original Broadway run of Neil Simon’s “Barefoot in the Park” (1963), playing the uptight newlywed Paul.

“Barefoot in the Park” catapulted Redford to supporting roles in movies, including the off-kilter Alec Guinness comedy “Situation Hopeless … But Not Serious” (1965) and the show business tale “Inside Daisy Clover” (1965), starring Natalie Wood.

Robert Redford, Elizabeth Ashley, and Kurt Kaznar
Redford, Elizabeth Ashley and Kurt Kaznar backstage after opening night at New York Biltmore Theater in1963. Marty Lederhandler / AP file

“Inside Daisy Clover” handed Redford his first Golden Globe (for best new star), and the actor earned wider attention co-starring with Jane Fonda in both the prison break yarn “The Chase” (1966) and the 1967 big-screen version of “Barefoot in the Park.”

Redford reached a career turning point in 1969 with George Roy Hill’s “Butch Cassidy and the Sundance Kid.” He was the sharp-shooting Sundance Kid to Paul Newman’s quick-witted Butch Cassidy, two charming Wild West outlaws trying to make their way to Bolivia.

“Butch Cassidy and the Sundance Kid,” anchored by one of the most electric star pairings in Hollywood history, conquered the box office and won over critics. Redford was suddenly a bankable leading man with his pick of projects — and legions of admirers across the country.

The same year, Redford starred as a relentless skier in “Downhill Racer” and a lawman in “Tell Them Willie Boy Is Here.” He followed those parts with turns as a motorcyclist in “Little Fauss and Big Halsy” (1970) and a jewel thief in “The Hot Rock” (1972), but both movies fizzled at the box office.

“The Candidate,” a political satire starring Redford as a callow U.S. Senate aspirant, performed respectably and collected largely positive reviews. Obama, in his remarks at the Presidential Medal of Freedom ceremony in 2016, called it “the best movie about what politics is actually like, ever.”

Redford’s next several projects were among his most commercially successful, lighting up multiplex ticket booths and cementing his status as one of the key A-list performers of the era.

He captivated audiences as a rugged mountain man in Sydney Pollack’s “Jeremiah Johnson” (1972) and Barbra Streisand’s romantic partner in “The Way We Were” (1973). He teamed again with Paul Newman and director George Roy Hill for the light-hearted caper “The Sting” (1973).

Robert Redford, left, as Sundance Kid and Paul Newman as Butch Cassidy in the 1969 western "Butch Cassidy and the Sundance Kid."
Robert Redford, left, as Sundance Kid and Paul Newman as Butch Cassidy in the 1969 western “Butch Cassidy and the Sundance Kid.”John Springer Collection / Corbis via Getty Images
American actors Robert Redford, left, and Paul Newman
Robert Redford as Johnny Hooker and Paul Newman as Henry Gondorff on the set of the film “The Sting,” in 1973.Silver Screen Collection / via Getty Images file

“The Sting,” starring Redford and Newman as too-cool-for-school grifters in the 1930s, dominated the box office, scooped up the Oscar for best picture, and delivered Redford his first and only nomination for best actor at the 1974 ceremony. (He lost to Jack Lemmon for “Save the Tiger.”)

Redford scored more hits in the middle of the decade, playing the title character in a 1974 retelling of “The Great Gatsby,” a cocky aviator in “The Great Waldo Pepper” (1975), and a CIA analyst swept into a high-stakes conspiracy in “Three Days of the Condor” (1975).

He next co-starred in one of the most celebrated movies of the 1970s: “All the President’s Men” (1976), an adaptation of a bestselling memoir of the same name by The Washington Post journalists Bob Woodward and Carl Bernstein, who doggedly investigated the Watergate scandal.

“All the President’s Men,” a commercial and critical triumph, represented one of the peaks of Redford’s influence in the film industry. He orchestrated the project, including purchasing the film rights to the book and hiring “Butch Cassidy” scribe William Goldman to write the screenplay.

Carl Bernstein, and Bob Woodward, are flanked by actors Dustin Hoffman and Robert Redford as they attend the premiere of the motion picture "All the President's Men,"
Washington Post reporters Carl Bernstein, second from left, and Bob Woodward, third from left, are flanked by actors Dustin Hoffman and Robert Redford as they attend the premiere of “All the President’s Men” in 1976.AP file

The film, a tense and fast-paced account of how Woodward (Redford) and Bernstein (Dustin Hoffman) unraveled the conspiracy that brought down President Richard Nixon, also reflected Redford’s political consciousness and sense of civic responsibility.

“Accuracy was the big, big objective in making the film,” Redford recalled in a 2006 interview. “We had to be accurate, otherwise we would fall under that perception that Hollywood was messing around with a very vital event.”

Redford closed out the 1970s with a relatively small part in the war epic “A Bridge Too Far” (1977) and the role of a shambolic rodeo star in “The Electric Horseman” (1979), co-starring frequent collaborator Jane Fonda.

The dawn of the 1980s marked the start of a crucial career chapter. He appeared in the 1980 prison flick “Brubaker,” but Redford’s more significant project that year was his wrenching directorial debut, “Ordinary People.”

“Ordinary People” chronicles an upper-middle-class Midwestern family wracked by grief and dysfunction. The film, starring Timothy Hutton, Donald Sutherland and Mary Tyler Moore, examines the emotional fault lines underneath America’s clean-cut suburban ideal.

Oscar voters lavished the acclaimed drama with four awards, including best picture and a director trophy for Redford. (“Raging Bull” fans are still smarting from the knockout punch.)

Actor Robert Redford holding Oscar he won for best director "Ordinary People,"
Redford holding the Oscar he won for best director for “Ordinary People” at the 1981 Academy Awards.AP file

Redford acted in only three more films in the 1980s — the baseball picture “The Natural” (1984), the best picture winner “Out of Africa” (1985) and the courtroom comedy “Legal Eagles” (1986) — and directed the largely forgotten dramedy “The Milagro Beanfield War,” released in 1987.

But in that same period, Redford helped form one of the signature institutions of modern film culture. He founded the Sundance Institute in 1981 with the goal of discovering talent from outside the Hollywood system, highlighting independent productions and supporting new artists.

The Sundance Film Festival, named for one of the actor’s most iconic characters, grew into a cornerstone of the film industry and eventually one of the most glitzy extravaganzas on the Hollywood social calendar, known as much for screenings as for executive deal-making and VIP parties.

The festival was a launching pad for some of the most well-known auteurs of the last quarter-century — Quentin Tarantino, Paul Thomas Anderson, Steven Soderbergh, Gina Prince-Bythewood — and continues to be an incubator for promising young writers, directors and other creative personalities.

It has likewise focused national attention on seminal independent films such as Soderbergh’s “Sex, Lies, and Videotape” (1989) and Tarantino’s “Reservoir Dogs” (1992) as well as “Clerks” (1994), “The Blair Witch Project” (1999), “Donnie Darko” (2001) and “Little Miss Sunshine” (2006).

In the 1990s and early 2000s, as Sundance helped turn independent film into a lucrative business, Redford continued to act steadily.

In those years, Redford starred in the heist comedy “Sneakers” (1992), the erotic potboiler “Indecent Proposal” (1993), and the back-to-back 2001 thrillers “The Last Castle” and “Spy Game.”

He was also an active director during that period, helming “A River Runs Through It” (1992), “Quiz Show” (1994), “The Horse Whisperer” (1998), “The Legend of Bagger Vance” (2000), and “Lions for Lambs” (2007), and more recently “The Conspirator” (2010) and “The Company You Keep” (2012).

“A River Runs Through It” and “Quiz Show” drew praise, and the latter received Oscar nominations for best picture and best director. Redford’s subsequent directorial outings received mixed reviews, however, although “Lions” and “Company” allowed him to explore political themes.

Robert Redford and family in 2015 in New York.
Sibylle Szaggars, Redford and their family attend the 42nd Chaplin Award Gala at Jazz at Lincoln Center in New York in 2015.Kevin Mazur / Getty Images file

In his later years, Redford took on a challenging role in “All Is Lost,” a 2013 survival story that featured virtually no other characters and barely any dialogue. The actor received a standing ovation after the film screened at the Cannes Film Festival.

He portrayed former CBS newsman Dan Rather in “Truth” (2015) and introduced himself to a new generation of moviegoers as the villainous government operative Alexander Pierce in the Marvel franchise entries “Captain America: The Winter Soldier” (2014) and “Avengers: Endgame” (2019).

Redford’s leading role as a gentlemanly bank robber in David Lowery’s character study “The Old Man & the Gun” (2018) was his last, adding a gentle grace note to an illustrious Hollywood career.

“I just figure that I’ve had a long career that I’m very pleased with. It’s been so long, ever since I was 21. I figure now as I’m getting into my 80s, it’s maybe time to move toward retirement and spend more time with my wife and family,” Redford told the Associated Press in 2018.

He is survived by his wife, Sibylle Szaggars, and two children from a previous marriage to Lola Van Wagenen: Shauna Jean Redford and Amy Hart Redford. Redford and his first wife lost two sons: Scott Anthony Redford, born in 1959, died of sudden infant death syndrome; David James Redford died of cancer in 2020.



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Eight injured in south Minneapolis shooting following another mass shooting

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A shootout at a private homeless encampment in south Minneapolis late Monday night left eight people injured, four critically, less than 12 hours after another mass shooting on the city’s south side.

The gunfire erupted around 10 p.m. near the intersection of E. Lake Street and 28th Avenue S, police said. An off-duty officer working at a nearby Target store was approached by several people running from a torrent of bullets a few blocks away.

Responding officers found five victims inside the encampment, including a man and a woman, each gravely wounded in their respective tents from a shot to the head. Another man was struck in the stomach.

Three more self-transported to area hospitals, including one man with gunshot wounds to the neck and torso.

Investigators collected approximately 30 shell casings from the crime scene, but noted there might be more hidden amid a dense layer of debris. Evidence suggests there was an exchange of gunfire between at least two people. A fire broke out in one of the tents as police were processing the site, requiring intervention from the fire department.

The shooting occurred at the private encampment set up by prominent Minneapolis landlord Hamoudi Sabri, on a parking lot behind a vacant building he owns on E. Lake Street, city officials said. Sabri has been in a battle with the city to keep the encampment open for months — ignoring $15,000 in citations and daring them to get a court order.

“This is a whole lot worse than a nuisance,” an exasperated Mayor Jacob Frey said during an overnight press conference. “This is a danger to the community. They deserve better.”



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US president Donald Trump says he will sue New York Times for $15bn

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US President Donald Trump has said he will sue the New York Times for $15bn (£11bn) over what the US president calls defamation and libel.

“The New York Times has been allowed to freely lie, smear, and defame me for far too long, and that stops, NOW!” Trump posted on his social media platform, Truth Social, on Monday.

He singled out the Times’ endorsement of Kamala Harris in the last presidential election in 2024, saying it had become a “mouthpiece for the Radical Left Democrat Party”.

Trump added that his lawsuit was being launched in Florida, a Republican stronghold. The BBC has reached out to the newspaper for a comment.

Trump has long expressed displeasure at what he bills left-leaning media outlets unfavourable to his presidency.

In a post late on Monday, Trump took issue at the Times’ endorsement of his election rival, saying: “Their Endorsement of Kamala Harris was actually put dead center on the front page of The New York Times, something heretofore UNHEARD OF!”

In the post he also accused other media outlets or TV programmes of “smearing” him through “a highly sophisticated system of document and visual alteration”.

ABC News and Paramount’s CBS News both agreed to multimillion-dollar payouts to Trump to settle lawsuits brought by the president in recent months.

He has also launched a case against the Wall Street Journal over its reporting on the Epstein scandal.

This is not the first time Trump has sought to sue the New York Times.

In 2023, a judge has dismissed a lawsuit filed by him, then an ex-president, against the New York Times, saying the claims in the lawsuit “fail as a matter of constitutional law”.

The $100m (£79m) lawsuit accused the newspaper and Trump’s estranged niece, Mary Trump, of “an insidious plot” to obtain his tax records.

It was filed in 2021 and relates to a Pulitzer Prize-winning series on Trump’s financial affairs.

Trump also lost another defamation bid in 2023, when he sought in vain to sue CNN for allegedly likening him to Adolf Hitler. A federal judge later threw out the $475m (£369m) lawsuit.

Clarification: This story has been updated to include the lawsuits against ABC News and Paramount which ended with settlements in Trump’s favour.



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