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Ari Aster’s ‘Eddington’ is about a polarized America. It’s been polarizing

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NEW YORK (AP) — A Post-it note sat near Ari Aster while he wrote “Eddington”: “Remember the phones.”

“Eddington” may be set during the pandemic, but the onset of COVID-19 isn’t its inciting incident. Outside the fictional New Mexico town, a data center is being built. Inside Eddington, its residents — their brains increasingly addled by the internet, social media, smartphones and whatever is ominously emanating from that data center — are growing increasingly detached from one another, and from each other’s sense of reality.

“We’re living in such a weird time and we forget how weird it is,” Aster says. “Things have been weird ever since we were able to carry the internet on our person. Ever since we began living in the internet, things have gotten weirder and weirder.”

“It’s important to keep reminding ourselves: This is weird.”

Moviegoers have grown accustomed to expecting a lack of normalcy in Aster’s movies. His first three films — “Hereditary,”“Midsommar,”“Beau Is Afraid” — have vividly charted strange new pathways of dread and deep-rooted anxiety. Those fixations make Aster, a master of nightmare and farce, uniquely suited to capturing the current American moment.

“Eddington,” which A24 releases in theaters Friday, may be the most prominent American movie yet to explicitly wrestle with social and political division in the U.S. In a showdown between Joaquin Phoenix’s bumbling right-wing sheriff and Pedro Pascal’s elitist liberal mayor, arguments over mask mandates, Black Lives Matter protests and elections spiral into a demented Western fever dream.

At a time when our movie screens are filled with escapism and nostalgia, “Eddington” dares to diagnose something frightfully contemporary. Aster, in a recent interview at an East Village coffee shop he frequents, said he couldn’t imagine avoiding it. “To not be talking about it is insane,” he said.

“I’m desperate for work that’s wrestling with this moment because I don’t know where we are. I’ve never been here before,” says Aster. “I have projects that I’ve been planning for a long time. They make less sense to me right now. I don’t know why I would make those right now.”

Predictably polarizing

“Eddington,” appropriately enough, has been divisive. Since its premiere at the Cannes Film Festival in May, Aster’s film has had one of the most polarizing receptions of the year among critics. Even in Cannes, Aster seemed to grasp its mixed response. “I don’t know what you think,” he told the crowd.

Some critics have suggested Aster’s film is too satirical of the left. “Despite a pose of satirical neutrality, he mainly seems to want to score points off mask-wearers, young progressives, anti-racists and other targets beloved of reactionaries,” wrote The New Yorker’s Justin Chang. For The New York Times, Manohla Dargis wrote: “Aster knows how to grab your attention, but if he thinks he’s saying something about America, the joke is on him.”

Aster was expecting a divisive reaction. But he disputes some of the discourse around “Eddington.”

“I heard one person say it was harder on the left than the right, and I think that’s pretty disingenuous,” he says. “In the film, one side is kind of annoying and frustrating and hypocritical, and the other side is killing people and destroying lives.”

For Aster, satirizing the left doesn’t mean he doesn’t share their beliefs. “If there’s no self-reflection,” he says, “how are we ever going to get out of this?”

Capturing ‘what was in the air’

Aster began writing “Eddington” in June 2020. He set it in New Mexico, where his family moved when he was 10. Aster wanted to try to capture the disconnect that didn’t start with the pandemic but then reached a surreal crescendo. He styled “Eddington” as a Western with smartphones in place of guns — though there are definitely guns, too.

“The dread I was living with suddenly intensified. And to be honest, I’ve been living with that level of dread ever since,” Aster says. “I just wanted to see if I could capture what was in the air.”

Scripts that dive headlong into politics are far from regular in today’s corporate Hollywood. Most studios would be unlikely to distribute a film like “Eddington,” though A24, the indie powerhouse, has stood behind Aster even after 2023’s $35 million-budgeted “Beau Is Afraid” struggled at the box office. A24 has shown a willingness to engage with political discord, backing last year’s speculative war drama, “Civil War.”

And Aster’s screenplay resonated with Phoenix, who had starred in “Beau Is Afraid,” and with Pascal. In Cannes, Pascal noted that “it’s very scary to participate in a movie that speaks to issues like this.” For Phoenix, “Eddington” offered clarity and empathy for the pandemic experience.

“We were all terrified and we didn’t fully understand it. And instead of reaching out to each other in those moments, we kind of became antagonistic toward each other and self-righteous and certain of our position,” Phoenix earlier told The AP. “And in some ways it’s so obvious: Well, that’s not going to be helpful.”

‘A time of total obscenity’

Since Aster made “Eddington” — it was shot in 2024 — the second administration of President Donald Trump has ushered in a new political reality that Aster acknowledges would have reshaped his film.

“I would have made the movie more obscene,” he says. “And I would have made it angrier. I think the film is angry. But I think we’re living in a time of total obscenity, beyond anything I’ve seen.”

“Eddington” is designed to be argued over. Even those who find its first half well-observed may recoil at the violent absurdism of its second half. The movie, Aster says, pivots midway and, itself, becomes paranoid and gripped by differing world views. You can almost feel Aster struggling to bring any coherence to his, and our, modern-day Western.

But whatever you make of “Eddington,” you might grant it’s vitally important that we have more films like it — movies that don’t tiptoe around today in period-film metaphor or avoid it like the plague. Aster, at least, doesn’t sound finished with what he started.

“I’m feeling very heartbroken about where we are, and totally lost, so I’m looking for ways to go into those feelings but also to challenge them. What can be done?” Aster says. “Because this is a movie about people who are unreachable to each other and completely siloed off, or fortressed off, a question that kept coming to me was: What would an olive branch look like? How do we find a way to reengage with each other?”





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September’s full corn moon coincides with a total lunar eclipse. Here’s what to know

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Many sky-gazers around the world will get the chance to see a dazzling celestial display this weekend — a total lunar eclipse that could cause the moon to take on a deep reddish hue.

The lunar eclipse will be visible Sunday for those in Europe, Africa, Asia and Australia, according to NASA. As the sun, moon and Earth line up in their orbits, the moon will be cast into a crescent-shaped shadow before being fully blocked from the sun by Earth. At that point, some light from the sun will make it around the edges of Earth. Blue light will be scattered by air molecules while the remaining wavelengths will reflect off the moon making it appear to glow red — what is known as a blood moon.

The event will start at 11:28 a.m. ET and end at 4:55 p.m. ET (though the eclipse will not be visible to those in the Eastern time zone). Totality — when the moon is completely covered by Earth’s shadow — will start at 1:30 p.m. ET and last for about an hour and 23 minutes, according to EarthSky.

“The beauty of a lunar eclipse is that it’s gradual. For folks that have seen solar eclipses, they happen fairly rapidly. The lunar eclipse is a far more relaxed environment,” said Noah Petro, chief of NASA’s Planetary Geology, Geophysics and Geochemistry Lab at Goddard Space Flight Center in Greenbelt, Maryland. “You don’t have to be in a specific spot (to see it), but you have to be in the right hemisphere.”

For those in North and South America who will not be able to view the eclipse, there will still be opportunities to observe a bright full moon this weekend, otherwise known as the corn moon.

Here’s what experts recommend for best viewing of the full moon and the total lunar eclipse.

September’s full moon — nicknamed the corn moon as it aligns with the season for harvesting corn, according to the The Old Farmer’s Almanac — will peak around the same time as the lunar eclipse. But full moons appear round to the naked eye one day before and after their peak, so sky-gazers can observe the full moon all weekend and into Monday, Petro said.

For best viewing of the full moon and the total lunar eclipse, Petro recommends going outside and finding a spot away from bright lights, as they could hinder visibility of the natural satellite as it goes through all stages of the eclipse.

“A lunar eclipse is a truly incredible sight, and something you can see without any special equipment — you do not need a telescope or even the special eclipse glasses that you need for a solar eclipse,” Sara Russell, research scientist and head of the Planetary Materials Group at London’s Natural History Museum, said in an email. But having binoculars or a telescope available could add to the viewing experience, Russell noted.

The moon turns red once it is completely blocked by Earth’s shadow, illuminated by red-orange light from the sunsets and sunrises on the Earth, Petro said.

Occasionally, directly before and following totality, the moon can appear to have a blue and purple band of light upon it. This phenomenon is caused by sunlight passing through the Earth’s ozone layer in the upper atmosphere, Russell said.

While full moons occur every 29 days, lunar eclipses typically only happen about twice a year when the sun, moon and Earth align. For those who may be feeling left out, the next total lunar eclipse is set to take place on March 3 and will be visible in parts of North and South America, Petro said.

“I’m always happy to see the full Moon, whether there is an eclipse or not,” Russell said. “The Moon formed in the very earliest times of the Earth’s history, and the Earth and Moon have been through a lot together. You can see the evidence of that with the naked eye, looking up to see all the craters on the Moon that have been formed over 4.5 billion years of history.”

The next three full moons will be supermoons — full moons that occur when the moon is closest to Earth in its orbit, making it appear larger and brighter than regular full moons.

Here’s the list of full moons remaining in 2025, according to the Farmers’ Almanac:


  • October 6: Harvest moon

  • November 5: Beaver moon

  • December 4: Cold moon

Two weeks after the total lunar eclipse, on September 21, a partial solar eclipse will be visible in parts of Australia, the Atlantic, the Pacific and Antarctica. This occurs when the moon moves between the sun and Earth, blocking part of the sun’s light from view.

There are also opportunities to observe other solar system activity, including several meteor showers that will grace the night sky in the following months.

Here are the peak dates of meteor showers anticipated in 2025, according to the American Meteor Society and EarthSky.


  • Draconids: October 8-9

  • Orionids: October 22-23

  • Southern Taurids: November 3-4

  • Northern Taurids: November 8-9

  • Leonids: November 16-17

  • Geminids: December 13-14

  • Ursids: December 21-22

Taylor Nicioli is a freelance journalist based in New York.





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This is why you need to check your Powerball ticket, even if you don’t win the $1.8 billion jackpot

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Chances are very good that if someone wins Saturday’s promised Powerball prize of $1.8 billion, they will cash in their ticket. But it’s not certain.

Not every jackpot-winning ticket sold over the years has been cashed in. And if you totaled up all the missing smaller “winners” who could claim anywhere from a few dollars to millions of dollars, their total-lost winnings likely stretch to the 10-figure range annually.

Prizes worth about 1% of yearly lottery revenue go unclaimed, said Victor Matheson, an economics professor at the College of the Holy Cross and an expert on gambling and lotteries, citing an annual report from the New York Lottery Commission.

“The amount of unclaimed prizes are similar nationwide,” said Matheson. And since so many lotto tickets are sold each year, that 1% estimate adds up to more than $1 billion.

One of the unclaimed prizes last year was a winning lottery ticket sold on July 3, 2024, at a Walmart Supercenter in Huber Heights, Ohio. That unclaimed ticket would have paid the holder $138 million spread over 20 years, or $65.8 million as a lump sum.

Eight Mega Millions or Powerball jackpots have gone unclaimed in the last 25 years, according to data on the two lottery sites. Those jackpots have a combined worth of $646 million, or $821 million when adjusted for inflation.

But those eight missed prizes are about 1.5% of all 520 jackpots won during that time. Most of the unclaimed potential winnings come from the smaller prizes, and far more of them don’t ever get cashed.

Many lottery players likely never check their tickets after they hear there was no jackpot winner, or that the winning ticket was sold far from where they bought their ticket, according to Matheson. Most probably are unaware they are leaving potential winnings on the table, or stashed their winning ticket in their pockets or junk drawers.

Some prizes are as low as $4 for those who match only the Powerball number in that game. But it can also be millions for those who get the five regular numbers but not the Powerball or Mega Ball number. Mega Millions pays $2 million for that prize, while Powerball pays either $1 million or $2 million, depending on whether the player paid extra for a “power play option.”

Beyond the million-dollar prizes, there are also modest prizes of between $4 and $500 in Powerball and between $10 and $800 in Mega Millions. And there are also prizes for up to six figures offered in the two games, ranging from $1,000 to as much as $500,000.

Different states have different time limits to turn in a winning ticket. Powerball’s site has a list of prizes of $50,000 or more that have not been claimed, as well as the time remaining for the winner to claim them. One of those listed prizes, a $50,000 winning ticket sold in March in Covington, Louisiana, just expired Friday without being claimed.

Most of the money wagered in lotteries isn’t in these jackpot drawing games, said Matheson. About 70% of the $110 billion in tickets sold are for instant scratch-off games. And while he has no firm data to back it up, he suspects relatively few of those winning tickets end up not being cashed.

“There’s just less time between when the tickets are sold and when the player knows if they won, less time for the ticket to be lost or forgotten,” Matheson said.





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Trumps says Venezuelan jets will be ‘shot down’ if they endanger US ships

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Donald Trump has warned that, if Venezuelan jets fly over US naval ships and “put us in a dangerous position, they’ll be shot down”.

The president’s warning comes after Venezuela flew military aircraft near a US vessel off South America for the second time in two days, US officials told the BBC’s US partner CBS News.

The reports follow a US strike against what Trump officials said was a “drug-carrying vessel from Venezuela” operated by a gang, killing 11 people.

Venezuelan President Nicolás Maduro has said that the US allegations about his country are not true, and that differences between the nations do not justify a “military conflict”.

“Venezuela has always been willing to talk, to engage in dialogue, but we demand respect,” he added.

When asked by reporters in the Oval Office on Friday what would happen if Venezuelan jets flew over US vessels again, Trump said Venezuela would be in “trouble”.

Trump told his general, standing beside him, that he could do anything he wanted if the situation escalated.

Since his return to office in January, Trump has steadily intensified his anti-drug-trafficking efforts in Latin America.

Maduro has accused the US of seeking “regime change through military threat”.

When asked about the comments, Trump said “we’re not talking about that”, but mentioned what he called a “very strange election” in Venezuela. Maduro was sworn in for his third term in January after a contested election.

Trump went on to say that “drugs are pouring” into the US from Venezuela and that members of Tren de Aragua – a gang proscribed as a terrorist organisation in the US – were living there.

The US military has moved to bolster its forces in the southern Caribbean, including through the deployment of additional naval vessels and thousands of marines and sailors to stem the flow of drugs.

The White House said on Friday that it is sending 10 F-35 fighter jets to Puerto Rico.

When asked about the build-up of military assets in the Caribbean, Trump said: “I think it’s just strong. We’re strong on drugs. We don’t want drugs killing our people.”

Trump is a long-time critic of Maduro, and doubled a reward for information leading to his arrest to $50m (£37.2m) in August, accusing Maduro of being “one of the largest narco-traffickers in the world”.

During Trump’s first term in office, the US government charged Maduro and other high-ranking Venezuelan officials with a range of offences, including narco-terrorism, corruption and drug trafficking.

Maduro has previously rejected the US allegations.



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