‘One of the lions has passed. Rest in peace my lovely friend’ – Meryl Streep pays tribute
Robert Redford poses on a balcony along Main Street decorated with his Sundance Film Festival banners in 2003 Photograph: Douglas C Pizac/AP
Tributes are starting to appear on social media.
Meryl Streep, who starred in Out Of Africa and Lions For Lambs opposite Redford, said in a statement: “One of the lions has passed. Rest in peace my lovely friend.”
Redford and Streep in Out of Africa Photograph: Cinetext Bildarchiv/Universal/Allstar
Stephen King said he was “part of a new and exciting Hollywood in the 70s and 80s”, while Marlee Matlin said a “genius has passed” and praised Redford for setting up Sundance film festival, which helped launch Coda.
Robert Redford has passed away. He was part of a new and exciting Hollywood in the 70s and 80s. Hard to believe he was 89.
Our film, CODA, came to the attention of everyone because of Sundance. And Sundance happened because of Robert Redford. A genius has passed. RIP Robert. pic.twitter.com/nwttVD1GvL
Redford founded the Sundance Film Institute in 1981 and it became a breeding ground for independent US cinema, helping to establish the careers of Richard Linklater, Ava DuVernay, Rian Johnson, Kevin Smith and Stephen Soderbergh.
Colman Domingo posted on X: “With love and admiration. Thank you Mr. Redford for your everlasting impact. Will be felt for generations. R.I.P.”
William Shatner has offered his “Condolences to the family of Robert Redford.”
James Dreyfus wrote on X: “RIP Robert Redford. Terrific actor, brilliant director. Truly legendary.”
Key events
The actor Antonio Banderas described Robert Redford as an “icon of cinema in every sense”.
He wrote on X: “Robert Redford leaves us, an icon of cinema in every sense. Actor, director, producer, and founder of the Sundance Festival. His talent will continue to move us forever, shining through the frames and in our memory. RIP.”
Spencer Cox, the governor of Utah, the US state where Robert Redford lived and held the annual Sundance Film Festival, said the actor “fell in love with this place”.
“He cherished our landscapes and built a legacy that made Utah a home for storytelling and creativity.
“Through Sundance and his devotion to conservation, he shared Utah with the world. Today we honour his life, his vision, and his lasting contribution to our state.”
Sundance statement about Redford
Robert Redford attends a press conference to open the 2016 Sundance Film Festival in Park City, Utah. Photograph: George Frey/EPA
We are deeply saddened by the loss of our founder and friend Robert Redford.
Bob’s vision of a space and a platform for independent voices launched a movement that, over four decades later,has inspired generations of artists and redefined cinema in the US and around the world.
Beyond his enormous contributions to culture at large, we will miss his generosity, clarity of purpose, curiosity, rebellious spirit, and his love for the creative process. We are humbled to be among the stewards of his remarkable legacy, which will continue to guide the Institute in perpetuity.
“They wanted Steve McQueen”
BUTCH CASSIDY AND THE SUNDANCE ROBERT REDFORD & PAUL NEWMAN Photograph: 20th Century Fox/Sportsphoto/Allstar
Over at the Independent, Martin Chilton has retold the story of the making of Butch Cassidy and the Sundance Kid. It’s got some great 1970s Hollywood moments: doubts about Redford as leading man, Steve McQueen bailing on the project over who would get top billing and daft amounts of money being thrown around by inexperienced producers.
Newman was Goldman’s choice from the moment the film was bought, but the casting for Sundance was trickier. Fox initially wanted Jack Lemmon, who had appeared in a 1958 western called Cowboy along with Glenn Ford. Lemmon was not keen on spending a lot of time riding horses again and told them he was not interested. The studio then turned their attention to Steve McQueen and although he liked the script, he dropped out, reportedly in a disagreement over who got top billing.
Newman’s wife Joanne Woodward suggested 32-year-old Redford, who had appeared in a few films but was better known as a stage actor. Zanuck, who was a production manager on the film, thought Redford was too lightweight for the role and changed his mind only after seeing raw footage of Newman and Redford together and realising that they had a true chemistry on screen.
“I wasn’t that well known at the time and although my agency thought I would be right for the part, 20th Century didn’t want me,” Redford told a television interviewer more than 40 years later. “They wanted Steve McQueen. But George, the director, went to the mat for me. They kept forcing him to look at other candidates but eventually they ran out of other actors.”
Jane Fonda on Redford: ‘He stood for an America we have to keep fighting for’
One of Redford’s close friends and regular contributors, Jane Fonda, has released an emotional statement about him following his death.
“It hit me hard this morning when I read that Bob was gone,” she wrote. “I can’t stop crying. He meant a lot to me and was a beautiful person in every way. He stood for an America we have to keep fighting for.”
Redford and Fonda at theVenice Film Festival in 2017 Photograph: Claudio Onorati/EPA
The pair worked together on western dramedy the Electric Horseman, Gene Saks’ 1967 rom-com Barefoot in the Park, Arthur Penn directed the Chase (alongside Marlon Brando) and 1960 rom-com Tall Story.
BAREFOOT IN THE PARK Photograph: Ronald Grant
They were both awarded a Golden Lion for lifetime achievement at the 2017 Venice film festival, where they also promoted their film Our Souls at Night.
Redford called working with Fonda, “easy”.
He added: “We’ve done many films over the years so it just worked out that way, that there was not a lot of discussion, we didn’t have to talk about a lot. Things just kind of fell into place between us, and there wasn’t much more to think about.”
Trump on Redford: ‘There was a period of time when he was the hottest’
The president has chimed in on the death of Redford, saying: “Robert Redford had a series of years where there was nobody better.”
Trump told reporters as he left the White House after a journalist told him that Redford had died. “There was a period of time when he was the hottest. I thought he was great.”
Redford’s stance on Trump changed over the years. In 2015 he told Larry King: “Look he’s got such a big foot in his mouth, I’m not sure you’re going to get it out. But on the other hand, I’m glad he’s in there.”
US President Trump departs for a state visit to Britain Photograph: Ken Cedeno/Reuters
He added: “I’m glad he’s in there because him being the way he is, and saying what he says the way he says it, I think shakes things up and I think that’s very needed. Because on the other side, it’s so bland, it’s so boring, it’s so empty.”
Four years later during the calls for Trump’s impeachment, Redford’s opinion shifted. “It is painfully clear we have a president who degrades everything he touches,” he wrote in a Washington Post comment piece. “A person who does not understand (or care?) that his duty is to defend our democracy.”
He expanded on those thoughts later in the same year, admitting he wanted to “give the guy a chance” when Trump was first elected. But he concluded that: “Instead of the United States of America, we are now defined as the Divided States of America”.
The conversation quickly veered away from the film’s story concerning the friendship between a young boy and a dragon and into the threat to creativity that technology presented, back when few people had heard the term Large Language Model.
“I grew up at a time when there was no television, there was just radio. You didn’t have the aggressive technology you have today. There’s so much high tech that it deprives us of being inventive on our own. Technology deprives us of coming up with our own stories. We’re relying on stories being fed to us through technology and since I grew up at a time when that didn’t exist, you had to make up your own stories.”
The full interview with Guardian US collaborator Dave Schilling is here:
Ryan Gilbey
Redford and Demi Moore in Indecent Proposal Photograph: Cinetext/Paramount/Allstar
As always with Ranked, positioning and omissions are supposed to spark debate (or ignite endless arguing. Should Indecent Proposal have been excluded from the top ten? Was All the President’s Men only worthy of fourth place? The debate continues. Here’s Ryan’s number one entry, the aforementioned Butch Cassidy and the Sundance Kid:
Redford’s sole Oscar nomination for acting was, rather shockingly, for The Sting, a complacent 1973 con-man comedy. But it was his first pairing with Sting co-star Paul Newman that distils the performer’s essence. Although the movie is unable to fess up to its bromantic longings – did any woman in a buddy movie ever look more like a gooseberry than poor Katharine Ross? – it’s still worth seeing for Redford’s sunny charm. Even then, it seemed to trouble him faintly, as though he was worried we might take him for a himbo. The studio did. “He’s just another California blond,” said one executive. “Throw a stick out of a window in Malibu, you’ll hit six like him.” But Newman helped win him the part. Redford got a shock when he saw the first cut. “I said: ‘What the hell is that song doing in there? Raindrops? It’s not even raining. On a bicycle?’”
The full top ten is:
10. Brubaker (1980)
9. The Twilight Zone – “Nothing in the Dark” (1962)
8. The Great Gatsby (1974)
7. Sneakers (1992)
6. Three Days of the Condor (1975)
5. All Is Lost (2013)
4. All the President’s Men (1976)
3. The Candidate (1972)
2. Downhill Racer (1969)
1. Butch Cassidy and the Sundance Kid (1969)
‘One of the lions has passed. Rest in peace my lovely friend’ – Meryl Streep pays tribute
Robert Redford poses on a balcony along Main Street decorated with his Sundance Film Festival banners in 2003 Photograph: Douglas C Pizac/AP
Tributes are starting to appear on social media.
Meryl Streep, who starred in Out Of Africa and Lions For Lambs opposite Redford, said in a statement: “One of the lions has passed. Rest in peace my lovely friend.”
Redford and Streep in Out of Africa Photograph: Cinetext Bildarchiv/Universal/Allstar
Stephen King said he was “part of a new and exciting Hollywood in the 70s and 80s”, while Marlee Matlin said a “genius has passed” and praised Redford for setting up Sundance film festival, which helped launch Coda.
Robert Redford has passed away. He was part of a new and exciting Hollywood in the 70s and 80s. Hard to believe he was 89.
Our film, CODA, came to the attention of everyone because of Sundance. And Sundance happened because of Robert Redford. A genius has passed. RIP Robert. pic.twitter.com/nwttVD1GvL
Redford founded the Sundance Film Institute in 1981 and it became a breeding ground for independent US cinema, helping to establish the careers of Richard Linklater, Ava DuVernay, Rian Johnson, Kevin Smith and Stephen Soderbergh.
Colman Domingo posted on X: “With love and admiration. Thank you Mr. Redford for your everlasting impact. Will be felt for generations. R.I.P.”
William Shatner has offered his “Condolences to the family of Robert Redford.”
James Dreyfus wrote on X: “RIP Robert Redford. Terrific actor, brilliant director. Truly legendary.”
Scott Tobias
BUTCH CASSIDY AND SUNDANCE KID PAUL NEWMAN and ROBERT REDFORD POSTER Photograph: 20th Century Fox/Sportsphoto/Allstar
Our picture editors have pulled together a life in pictures gallery of Redford, which runs through his astonishing career. It spans his early career as an unlikely star and includes his honorary Oscar and the award of his Presidential Medal of Freedom.
There are a couple of entries that cover his collaborations with Paul Newman, including Butch Cassidy and the Sundance Kid (poster above). Here’s an excerpt from Scott Tobias’ 50th anniversary piece from 2019:
Right away, Goldman establishes Butch as a charismatic mouthpiece for the quip-ready screenwriter, contrasting nicely with the Sundance Kid, Robert Redford’s taciturn sharpshooter. But he’s also created two heroes who break the western mold, neither justice-seeking white-hats nor grizzled, sneering black-hats, and not as traditionally masculine as either party. Butch is a man who appreciates beauty and art, but doesn’t have the stomach for violence; it’s not until late in the film that we (and the Kid) discover that he’s never shot a man before and he looks sickened to have to do it. He’s a pleasure-seeker above all else: robbing banks and trains are his way to make an easy living and enjoy whatever sinful freedoms his vocation affords him.
Audiences in 1969 were all too happy to embrace the light, quippy irreverence of Butch Cassidy and the Sundance Kid after a turbulent summer, and Goldman, director George Roy Hill, and the two impossibly handsome stars made them feel cool for doing it. True Grit had performed well earlier in the year as a throwback to the genre’s past, giving John Wayne a proper victory lap, but Butch Cassidy was thoroughly modern, a star-making vehicle for Newman and Redford that reflected a need for the genre to turn the page and that feels as much of its time as it does authentic to Wyoming in the late 1890s. With Ross at the center of a love triangle between friends, the film attempted to bring Jules and Jim to the American mainstream, taking a lesson from the French new wave on how to revivify old Hollywood craft.
Robert Redford began his career as a blond bombshell at a time when American cinema favoured grit, then turned into a supremely assured director and unlikely keeper of the indie flame, writes Guardian film critic Peter Bradshaw in his appreciation:
As the 1960s turned into the 1970s, it wasn’t cool for star actors to be good-looking. The style was more a scuffed, grizzled, bleary, sweaty, paunchy and shlubby realness. The fashion was for leading men like Gene Hackman, Jack Nicholson, Woody Allen. Even a very beautiful man like Paul Newman had a kind of rugged, daylit quality. But Robert Redford was very different. Here was a supremely beautiful movie star who went on to direct, produce and then be the guardian and gatekeeper of commercial-indie US cinema at his Sundance Institute. And he was always an outlier.
When movie audiences thrilled to George Roy Hill’s western Butch Cassidy and the Sundance Kid in 1969, they knew that in breakout star Redford they had an almost indecently attractive male, however much he might dress it down with buckskins and moustaches, playing the devil-may-care outlaw Sundance Kid himself. His sardonic charisma and sexiness shone through. And when he cleaned himself up for other roles, teaming up again with Newman for the Jazz Age conmen caper The Sting in 1973, the effect was electric. Neatly trimmed and shaved, Robert Redford was just outrageously handsome, incandescently handsome, he was handsomeness on legs. His photograph was in the dictionary next to “handsome”.
Robert Redford, giant of American cinema, dies aged 89
Robert Redford, star of Hollywood classics including Butch Cassidy and the Sundance Kid, The Sting and All the President’s Men, has died aged 89.
Redford’s publicist Cindi Berger says the actor died earlier today at his home “at Sundance in the mountains of Utah – the place he loved, surrounded by those he loved.”
“He will be missed greatly,” Berger says, adding that the family are requesting privacy.
Redford was one of the defining movie stars of the 1970s, crossing with ease between the Hollywood new wave and the mainstream film industry, before also becoming an Oscar-winning director and producer in the ensuing decades. He played a key role in the establishment of American independent cinema by co-founding the Sundance film festival.
Born Charles Robert Redford in 1936, he grew up in Los Angeles and, after he was expelled from the University of Colorado, studied acting at the American Academy of Dramatic Arts. Redford’s film breakthrough arrived in 1965: an eye-catching role as a bisexual film star in Inside Daisy Clover opposite Natalie Wood, for which he was nominated for a Golden Globe.
After a series of solid Hollywood films, including The Chase and a screen adaptation of Barefoot in the Park, Redford had a huge hit with the 1969 outlaw western Butch Cassidy and the Sundance Kid, in which he starred opposite Paul Newman and Katharine Ross. It was nominated for seven Oscars, though none were for the actors.
Robert Redford, the Hollywood golden boy who became an Oscar-winning director, liberal activist and godfather for independent cinema under the name of one of his best-loved characters, died Tuesday at 89.
Redford died “at his home at Sundance in the mountains of Utah — the place he loved, surrounded by those he loved,” publicist Cindi Berger said in a statement. He died in his sleep, but no cause was provided.
After rising to stardom in the 1960s, Redford was one of the biggest stars of the ’70s with such films as “The Candidate,” “All the President’s Men” and “The Way We Were,” capping that decade with the best director Oscar for 1980’s “Ordinary People,” which also won best picture in 1980. His wavy blond hair and boyish grin made him the most desired of leading men, but he worked hard to transcend his looks — whether through his political advocacy, his willingness to take on unglamorous roles or his dedication to providing a platform for low-budget movies.
His roles ranged from Washington Post journalist Bob Woodward to a mountain man in “Jeremiah Johnson” to a double agent in the Marvel Cinematic Universe, and his co-stars included Jane Fonda, Meryl Streep and Tom Cruise. But his most famous screen partner was his old friend and fellow activist and practical joker Paul Newman, their films a variation of their warm, teasing relationship off screen. Redford played the wily outlaw opposite Newman in 1969’s “Butch Cassidy and the Sundance Kid,” a box-office smash from which Redford’s Sundance Institute and festival got its name. He also teamed with Newman on 1973’s best picture Oscar winner, “The Sting,” which earned Redford a best-actor nomination as a young con artist in 1930s Chicago.
Listen to Paul Newman and Robert Redford in “Butch Cassidy and the Sundance Kid.”
Redford plays the wily outlaw opposite Newman’s Butch Cassidy.
Film roles after the ’70s became more sporadic as Redford concentrated on directing and producing, and his new role as patriarch of the independent-film movement in the 1980s and ’90s through his Sundance Institute. But he starred in 1985’s best picture champion “Out of Africa” and in 2013 received some of the best reviews of his career as a shipwrecked sailor in “All is Lost,” in which he was the film’s only performer. In 2018, he was praised again in what he called his farewell movie, “The Old Man and the Gun.”
“I just figure that I’ve had a long career that I’m very pleased with. It’s been so long, ever since I was 21,” he told The Associated Press shortly before the film came out. “I figure now as I’m getting into my 80s, it’s maybe time to move toward retirement and spend more time with my wife and family.”
Sundance is born
Redford had watched Hollywood grow more cautious and controlling during the 1970s and wanted to recapture the creative spirit of the early part of the decade. Sundance was created to nurture new talent away from the pressures of Hollywood, the institute providing a training ground and the festival, based in Park City, Utah, where Redford had purchased land with the initial hope of opening a ski resort. Instead, Park City became a place of discovery for such previously unknown filmmakers as Quentin Tarantino, Steven Soderbergh, Paul Thomas Anderson and Darren Aronofsky.
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“For me, the word to be underscored is ‘independence,’” Redford told the AP in 2018. “I’ve always believed in that word. That’s what led to me eventually wanting to create a category that supported independent artists who weren’t given a chance to be heard.
“The industry was pretty well controlled by the mainstream, which I was a part of. But I saw other stories out there that weren’t having a chance to be told and I thought, ‘Well, maybe I can commit my energies to giving those people a chance.’ As I look back on it, I feel very good about that.”
Robert Redford poses for a portrait during the Sundance Film Festival in Park City, Utah, on Jan. 21, 2010. (AP Photo/Carlo Allegri, File)
Robert Redford poses for a portrait during the Sundance Film Festival in Park City, Utah, on Jan. 21, 2010. (AP Photo/Carlo Allegri, File)
Sundance was even criticized as buyers swarmed in looking for potential hits and celebrities overran the town each winter.
“We have never, ever changed our policies for how we program our festival. It’s always been built on diversity,” Redford told the AP in 2004. “The fact is that the diversity has become commercial. Because independent films have achieved their own success, Hollywood, being just a business, is going to grab them. So when Hollywood grabs your films, they go, ‘Oh, it’s gone Hollywood.’”
By 2025, the festival had become so prominent that organizers decided they had outgrown Park City and approved relocating to Boulder, Colorado, starting in 2027. Redford, who had attended the University of Colorado Boulder, issued a statement saying that “change is inevitable, we must always evolve and grow, which has been at the core of our survival.”
Redford’s affinity for the outdoors was well captured in “A River Runs Through It” and other films and through his decades of advocacy for the environment, inspired in part by witnessing the transformation of Los Angeles into a city of smog and freeways. His activities ranged from lobbying for such legislation as the Clean Air Act and Clean Water Act to pushing for land conservation in Utah to serving on the board of the Natural Resources Defense Council.
Listen to Robert Redford at the United Nations
In 2015, Robert Redford told the U.N. it needed to deal with climate change.
Redford was married twice, most recently to Sibylle Szaggars. He had four children, two of whom have died — Scott Anthony, who died in infancy, in 1959; and James Redford, an activist and filmmaker who died in 2020.
Redford’s early life
Robert Redford was born Charles Robert Redford Jr. on Aug. 18, 1936, in Santa Monica, a California boy whose blond good looks eased his way over an apprenticeship in television and live theater that eventually led to the big screen.
Redford attended college on a baseball scholarship and would later star as a middle-aged slugger in 1984’s “The Natural,” the adaptation of Bernard Malamud’s baseball novel. He had an early interest in drawing and painting, then went on to study at the American Academy of Dramatic Arts, debuting on Broadway in the late 1950s and moving into television on such shows as “The Twilight Zone,” “Alfred Hitchcock Presents” and “The Untouchables.”
Listen to Wilford Brimley and Robert Redford in ‘The Natural’
Redford starred as a middle-aged slugger in the adaptation of Bernard Malamud’s baseball novel.
After scoring a Broadway lead in “Sunday in New York,” Redford was cast by director Mike Nichols in a production of Neil Simon’s “Barefoot in the Park,” later starring with Fonda in the film version. Redford did miss out on one of Nichols’ greatest successes, “The Graduate,” released in 1967. Nichols had considered casting Redford in the part eventually played by Dustin Hoffman, but Redford seemed unable to relate to the socially awkward young man who ends up having an affair with one of his parents’ friends.
Actors Robert Redford, Elizabeth Ashley, and Kurt Kaznar appear on opening night of their play “Barefoot in the Park” in New York on Oct. 23, 1963. (AP Photo/Marty Lederhandler, File)
Actors Robert Redford, Elizabeth Ashley, and Kurt Kaznar appear on opening night of their play “Barefoot in the Park” in New York on Oct. 23, 1963. (AP Photo/Marty Lederhandler, File)
Robert Redford and Jane Fonda hug at the photo call of the film “Our Souls at Night” during the 74th edition of the Venice Film Festival in Venice, Italy, on Sept. 1, 2017. (Photo by Joel Ryan/Invision/AP, File)
Robert Redford and Jane Fonda hug at the photo call of the film “Our Souls at Night” during the 74th edition of the Venice Film Festival in Venice, Italy, on Sept. 1, 2017. (Photo by Joel Ryan/Invision/AP, File)
“I said, ‘You can’t play it. You can never play a loser,’” Nichols said during a 2003 screening of the film in New York. “And Redford said, ‘What do you mean? Of course I can play a loser.’ And I said, ‘OK, have you ever struck out with a girl?’ and he said, ‘What do you mean?’ And he wasn’t joking.”
Indie champion, mainstream star
Even as Redford championed low-budget independent filmmaking, he continued to star in mainstream Hollywood productions himself, scoring the occasional hit such as 2001’s “Spy Game,” which co-starred Brad Pitt, an heir apparent to Redford’s handsome legacy whom he had directed in “A River Runs Through It.”
Ironically, “The Blair Witch Project,” “Garden State,” “Napoleon Dynamite” and other scrappy films that came out of Sundance sometimes made bigger waves — and more money — than some Redford-starring box-office duds like “Havana,” “The Last Castle” and “An Unfinished Life.”
Redford also appeared in several political narratives. He satirized campaigning as an idealist running for U.S. senator in 1972’s “The Candidate” and uttered one of the more memorable closing lines, “What do we do now?” after his character manages to win. He starred as Woodward to Hoffman’s Carl Bernstein in 1976’s “All the President’s Men,” the story of the Washington Post reporters whose Watergate investigation helped bring down President Richard Nixon.
With 2007’s “Lions for Lambs,” Redford returned to directing in a saga of a congressman (Tom Cruise), a journalist (Meryl Streep) and an academic (Redford) whose lives intersect over the war on terrorism in Afghanistan.
President Barack Obama presents the Presidential Medal of Freedom to actor Robert Redford during a ceremony in the East Room of the White House, Tuesday, Nov. 22, 2016, in Washington. (AP Photo/Andrew Harnik, File)
President Barack Obama presents the Presidential Medal of Freedom to actor Robert Redford during a ceremony in the East Room of the White House, Tuesday, Nov. 22, 2016, in Washington. (AP Photo/Andrew Harnik, File)
His biggest filmmaking triumph came with his directing debut on “Ordinary People,” which beat Martin Scorsese’s classic “Raging Bull” at the Oscars. The film starred Donald Sutherland and Mary Tyler Moore as the repressed parents of a troubled young man, played by Timothy Hutton, in his big screen debut. Redford was praised for casting Moore in an unexpectedly serious role and for his even-handed treatment of the characters, a quality that Roger Ebert believed set “the film apart from the sophisticated suburban soap opera it could easily have become.”
Listen to Robert Redford discuss awards at the Sundance Film Festival
In 2016, Robert Redford said he did not make movies to win awards.
Redford’s other directing efforts included “The Horse Whisperer,” “The Milagro Beanfield War” and 1994’s “Quiz Show,” the last of which also earned best picture and director Oscar nominations. In 2002, Redford received an honorary Oscar, with academy organizers citing him as “actor, director, producer, creator of Sundance, inspiration to independent and innovative filmmakers everywhere.”
“The idea of the outlaw has always been very appealing to me. If you look at some of the films, it’s usually having to do with the outlaw sensibility, which I think has probably been my sensibility. I think I was just born with it,” Redford said in 2018. “From the time I was just a kid, I was always trying to break free of the bounds that I was stuck with, and always wanted to go outside.”
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This story has been corrected to update Redford’s birth year to 1936, not 1937.
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Associated Press journalists Hillel Italie, Jake Coyle and Mallika Sen contributed to this report. Bob Thomas, a longtime Associated Press journalist who died in 2014, was the principal writer of this obituary.
Refresh for updates...Barbra Streisand is paying tribute to her late co-star Robert Redford, writing in part on Instagram, “Every day on the set of The Way We Were was exciting, intense and pure joy,”… Bob was charismatic, intelligent, intense, always interesting— and one of the finest actors ever.as exciting, intense and pure joy.”
See Streisand’s full statement below, along with many others.
Leonardo DiCaprio is adding his voice in praise of the late Robert Redford, noting, part, “His unwavering commitment to protecting our planet and inspiring change matched his immense talent. His impact will endure for generations to come.”
In a statement, Jane Fonda also paid tribute to Redford, who died Tuesday at 89. The two were frequent co-stars (Barefoot in the Park, The Chase, The Electric Horseman and Our Souls At Night) – and lifelong friends.
“It hit me hard this morning when I read that Bob was gone,” Fonda said in the statement provided to news outlets. “I can’t stop crying. He meant a lot to me and was a beautiful person in every way. He stood for an America we have to keep fighting for.”
Meryl Streep also honored her Out of Africa co-star, saying in a statement, “One of the lions has passed. Rest in peace my lovely friend.”
Streep’s was just one of many tributes to the Hollywood and indie film icon that began arriving with news of Redford’s death today at 89, and will no doubt continue throughout the day.
Tom Rothman, Chairman and CEO of Sony Pictures Motion Picture Group, said in a statement, “In addition to being a titanic acting and directing talent, as an early board member of the Sundance Institute, I saw first-hand the Sundance Kid’s passionate commitment to indie film and young artists. Robert Redford truly gave back. The entire scope of American film would have been much poorer without him. An amazing legacy of an amazing man.”
The Sundance Institute said in a statement: “We are deeply saddened by the loss of our founder and friend Robert Redford. Bob’s vision of a space and a platform for independent voices launched a movement that, over four decades later, has inspired generations of artists and redefined cinema in the U.S. and around the world. Beyond his enormous contributions to culture at large, we will miss his generosity, clarity of purpose, curiosity, rebellious spirit, and his love for the creative process. We are humbled to be among the stewards of his remarkable legacy, which will continue to guide the Institute in perpetuity.”
The Cannes Film Festival also weighed in Tuesday: “Forever Robert Redford.
“Forever the cowboy, the escapee, the candidate, the prisoner, the Great Gatsby, the con man, the student, the playboy, the loner, the cryptographer, the military man, the reporter, the rodeo champion, the lover, the baseball star, the sailor, the horse whisperer… More than 70 roles, nine directed films, the founding of the Sundance Independent Film Festival. And throughout a life dedicated to cinema, an unparalleled elegance in his art, his commitments, and his struggles. Redford was more than a myth: he was a role model. Forever Robert Redford, an electric horseman in love with freedom.”
On The View today, moderator Whoopi Goldberg started the show by sharing news of Redford’s death with an audibly surprised audience, then led a panel discussion about favorite movies from the actor’s career. Among the many films mentioned, Goldberg noted a favorite Twilight Zone episode from 1962 titled “Nothing in the Dark,” in which Redford played the personification of death. Behar praised the romance classic The Way We Were, as well as Three Days of the Condor.
“I was really struck by his work on climate change,” co-host Sunny Hostin said. “He knew that it would be a problem before many people were paying attention. That says something about caring for the world that he would leave behind.”
Also remembering Redford today was Utah Gov. Spencer Cox, who wrote on social media of Redford’s impact on the state with the Sundance Film Festival: “Decades ago, Robert Redford came to Utah and fell in love with this place. He cherished our landscapes and built a legacy that made Utah a home for storytelling and creativity. Through Sundance and his devotion to conservation, he shared Utah with the world. Today we honor his life, his vision, and his lasting contribution to our state.”
President Donald Trump, told of Redford’s passing while speaking to reporters before his visit to the UK, said, “Robert Redford had a series of years where there was nobody better. There was a period of time when he was the hottest. I thought he was great.”
Hillary Clinton also paid tribute to Redford, writing on social media that she “always admired Robert Redford, not only for his legendary career as an actor and director but for what came next. He championed progressive values like protecting the environment and access to the arts while creating opportunities for new generations of activists and filmmakers. A true American icon.”
Others also weighed in:
Directors Guild of America President Lesli Linka Glatter: “With Bob’s passing, we have lost an incomparable director, actor, and independent film icon. Bob’s masterful directorial debut in 1980 with Ordinary People, for which he won the DGA Award for Outstanding Directorial Achievement in Feature Film, not only catapulted his career as a director, but also showcased his ability to rouse powerful, resonant performances from his actors,” said DGA President Lesli Linka Glatter. “He proved himself a master time and time again with such modern classics as The River Runs Through It, Quiz Show, for which he earned a DGA Award nomination in 1994, and Lions for Lambs.
“Bob was also a passionate advocate,” Glatter continued, “always searching for ways to support filmmakers and bolster the craft of storytelling. His establishment of the Sundance Institute over 40 years ago embodies his legacy of giving back – shaping the landscape of independent filmmaking and paving the way for more diverse voices to be heard. And through his decades-long stewardship of the Sundance Film Festival, he advanced a showcase where independent film could truly thrive. He was a strong believer in film preservation through his service on the Board of Directors for The Film Foundation. He was also deeply involved in the DGA’s political action committee and in helping steer its legislative efforts. A member since 1979, the entire DGA community mourns Bob’s passing and is forever grateful for his efforts in supporting generations of new filmmakers. We will miss him dearly.”
“Our film, Coda, came to the attention of everyone because of Sundance,” wrote Marlee Matlin on X. “And Sundance happened because of Robert Redford. A genius has passed.”
“What a career, what an actor, what a sad loss,” wrote Piers Morgan.
Film at Lincoln Center called Redford “a true icon of the silver screen, a tireless champion of up-and-coming film artists…”
Joan Van Arkwrote: “Way back in the day, many years ago, when some of us were just starting our careers, a few of us were blessed to be directed by Mike Nichols in a play called Barefoot in the Park on Broadway. I played the bride, Corie Bratter. The husband, Paul Bratter, was played by a young actor named Robert Redford. From that moment on, he became an icon, going on to greatness as an actor’s actor, a director’s director.”
From Stefanie Powers: “I met him in Kenya just before he began filming Out of Africa. … His passion for the environment and for giving back to the industry that had given him so much was in its infancy and he brought that passion to great heights. I loved his work as an actor, and I applaud his work as an environmentalist. He will be missed on both accounts.”
Said Hank Garrett: “One of the best and nicest men I ever had the good fortune to work. Our fight scene in Three Days of the Condor is still listed as one of the best ever done on screen. Robert and I shared a mutual pride in this accomplishment, and remained good friends over the years.”
Deadline will update this post as more tributes arrive…
Robert Redford leaves us, an icon of cinema in every sense. Actor, director, producer, and founder of the Sundance Festival. His talent will continue to move us forever, shining through the frames and in our memory. RIP.
I grew up with his movies: his quiet, unforced performances and ever-present grace. He was THE movie star, and will be greatly missed. Rest in Peace, Robert. If you want to watch a Redford movie that isn’t the Sting or Butch Cassidy, here are ten I love: Three Days of the Condor… pic.twitter.com/ZrkZffzRH3
There are certain people you know that you’re going to click with. After working with Robert Redford on Brubaker in 1980, we instantly became friends. Working with him again in An Unfinished Life was a dream come true.
#RIP & thank you RobertRedford, a tremendously influential cultural figure for the creative choices made as an actor/producer/director & for launching the Sundance Film Festival which supercharged America’s Independent Film movement. Artistic Gamechanger https://t.co/HswHhmWq2D
Decades ago, Robert Redford came to Utah and fell in love with this place. He cherished our landscapes and built a legacy that made Utah a home for storytelling and creativity. Through Sundance and his devotion to conservation, he shared Utah with the world.
❤️ Rest in peace to Robert Redford (1936-2025), a true icon of the silver screen, a tireless champion of up-and-coming film artists, and Film at Lincoln Center’s 42nd Chaplin Award Gala recipient in 2015. pic.twitter.com/AxkAisVdRu
RIP Robert Redford, 89. One of the all-time great movie stars. A true Hollywood legend who starred in so many of my favourite films: Butch Cassidy and the Sundance Kid, The Sting, The Way We Were, All The President’s Men. What a career, what an actor, what a sad loss. pic.twitter.com/UxImhSfDVh
Our film, CODA, came to the attention of everyone because of Sundance. And Sundance happened because of Robert Redford. A genius has passed. RIP Robert. pic.twitter.com/nwttVD1GvL
Few people did more in their lifetimes to contribute to American society than Robert Redford. In areas ranging from film to environmentalism to politics, he used his enormous power to help create a better world. May he rest in unending bliss.
Amid so much global sadness and violence, let us remember a man, an actor, an activist: Robert Redford, who spent his whole career digging deep and making us think. pic.twitter.com/FRgRtzDkno
A proposal to save TikTok from going dark in the United States would involve investments from a number of US-based venture capital firms, private equity funds and tech companies. Together, the investors would create a new US-based company that will operate the app domestically, sources familiar with the framework told CNN.
The framework of the agreement, which was hammered out by US and Chinese negotiators in Madrid this week, largely mirrors the deal presented to the President Donald Trump in April, before the president announced steep tariffs on China that scrambled talks with Beijing over the popular social media app.
Among the investors, which are expected to own a roughly 80% stake in TikTok, with Chinese shareholders holding the rest, are Oracle, Andreessen Horowitz and Silver Lake, the sources said. The new consortium would also be operated by a majority-US board, including a member appointed by the Trump administration.
The Wall Street Journal first reported on details of the framework discussed in Madrid. The sources cautioned that the framework is still under discussion and could change before Trump and Chinese leader Xi Jinping are slated to speak by phone on Friday, during which the leaders are expected to formally strike the deal on TikTok.
“Any details of the TikTok framework are pure speculation unless they are announced by this administration,” a senior White House official told CNN.
Oracle executive chairman Larry Ellison, who last week briefly became the world’s richest person, has widely been rumored to be involved in discussions to buy TikTok’s US assets. Trump in January had said he would champion Ellison, a Trump supporter, buying the app’s US assets.
Ellison’s company already has a relationship with TikTok: Oracle in 2020 began hosting TikTok’s US data, and it briefly reached a deal with the first Trump administration that year to buy TikTok, before that deal was ultimately blocked.
Although Trump has previously said he would seek a 50-50 joint venture between ByteDance and a new American owner, the law banning TikTok that was passed by a bipartisan group of congresspeople and signed by former President Joe Biden prevents China from owning a stake that’s larger than 20% in TikTok’s US assets.
As the deal continues to be hammered out, Trump on Tuesday signed an executive order extending the enforcement of a TikTok ban in the United States by another three months – an action that may be superseded later if the agreement to sell the social media app’s US assets to an American-backed buyer is finalized.
The executive order was necessary to avoid TikTok going dark in the United States on Wednesday, when the previous extension was set to expire. Trump had previously extended the TikTok ban three times after it initially went into effect on January 19, a day before Trump took office.
The Trump administration on Monday announced a deal has finally been reached between the United States and China to keep TikTok operational for the long term in the United States.
Trump has long sought an elusive deal to wrest TikTok’s US assets from Chinese control, allowing an American investor group to buy it. That was a nonstarter for China for months.
But, US Treasury Secretary Scott Bessent said Tuesday, China ultimate relented following Trump’s threat to shut down TikTok in the United States.
“What turned the tide was a call that Ambassador (Jamieson) Greer and I had with President Trump the night after the first day of negotiations, and President Trump made it clear that he would be willing to let TikTok go dark,” Bessent told CNBC Tuesday.
Bessent said he anticipated Trump and Xi will finalize a deal during a phone call set to take place Friday.
The bulk of the deal — organizing an American-led investor group to buy TikTok’s US assets – had been completed by April, Bessent said. But then Trump’s massive “Liberation Day” tariffs went into effect, effectively putting an embargo on all Chinese goods, and TikTok talks entered a standstill. After tariffs were brought lower and talks between the US and China resumed, Bessent said both Trump and Xi expressed interest in re-engaging on TikTok discussions.
But key details needed to be ironed out, including addressing US national security concerns and China’s willingness to approve the deal.
“We were not willing to give up national security in favor of the deal,” Bessent said. “So we were able to reach a series of agreements mostly for things we will not be doing in the future that will have no impact on national security.”
Ultimately, both sides acquiesced, and Bessent said the deal’s terms and investors will be revealed in the coming days or weeks.
“President Trump showed great leadership and fortitude for what he wanted to see on this deal,” Bessent said. “I think it is highly satisfactory for the US interests.”
Bessent didn’t discuss another point of leverage Trump was holding in TikTok negotiations: a meeting that China has wanted to arrange between Xi and Trump. US officials told CNN Monday that a TikTok agreement was a crucial step toward arranging that meeting, which could take place as soon as next month.