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3 questions for K-12 leaders to consider amid the AI tutoring boom

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As schools enter the fourth academic year since ChatGPT hit the scene, artificial intelligence tutoring tools are increasingly finding their way into classrooms.

The number of K-12 students using nonprofit Khan Academy’s Khanmigo tutoring tool, for example, jumped from 40,000 to 700,000 between the 2023-24 and 2024-25 school years, according to Kristen DiCerbo, Khan Academy’s chief learning officer. And that number is expected to continue rising to over 1 million students in 2025-26, DiCerbo said. 

DiCerbo, who has worked in the ed tech sector for 20 years, said Khanmigo’s increase between 2023-24 and 2024-25 “was the biggest one-year jump that I have seen in terms of adoption of an education technology.”

Still, as Khanmigo and other AI tutoring tools proliferate, evidence is still scant as to whether they can actually improve student outcomes. 

Here are three key questions that ed tech researchers and industry experts say school and district leaders should consider. 

What kind of AI tutoring tools are available for students?

AI tutors beyond Khanmigo that specifically cater to K-12 include Amira, which uses a cartoon avatar as a reading tutor and provides step by step assistance to students while recording their sessions so teachers can review and evaluate problem areas. Other AI-powered tools EarlyBird, Bamboo Learning and Imagine Learning use similar kinds of assessment techniques.

Publicly available AI apps have also embraced tutoring options that anyone can use. 

For example, OpenAI in late July launched a “Study Mode” in Chat GPT that uses interactive prompts to ask questions and guide students through a problem rather than providing a quick answer. Google has introduced a rival mode for Gemini called “Guided Learning,” and Anthropic’s Claude now offers a tutoring tool for college students.  

The release of these new features comes as some teachers have expressed concerns over students using AI tools to cheat. And in fact, the Pew Research Center found earlier this year that students are increasingly using ChatGPT for their schoolwork, with 18% of surveyed teens saying it’s acceptable to tap into AI for assistance with essays. 

What are the problems?

Research has long backed tutoring — at least with humans — as an effective way to raise student achievement, said Robbie Torney, senior director of AI programs at Common Sense Media, a nonprofit research organization.  

The challenge, however, is that there is little to no evidence that generative AI-powered tutors can do the same, Torney said. 

Torney described AI tutoring as “one of those sort of holy grails in the K-12 space of like, ‘Well, what would it look like to be able to have a tool or have a program that could help students make progress?’” This, he said, is why there’s growing interest in these AI tutoring apps.

For Chris Agnew, director of the Generative AI for Education Hub at Stanford University, there is a strong sense of urgency to help educators understand the efficacy of AI tools through research. 

The lack of research is coinciding with both rapid development of AI tools and strong encouragement from the Trump administration for school districts to use AI in their classrooms, Agnew said. Currently, however, districts are “flying blind, because the best data they have is surveys” or anecdotes from teachers who either strongly support or reject using the tools, he said.

The GenAI for Education Hub plans to analyze the use of OpenAI’s Study Mode in schools, and also how teachers and administrators use ChatGPT. “This is really important, because most AI innovation currently is coming from the private sector,” said Agnew. 

Khan Academy has yet to test the efficacy of its own Khanmigo through a randomized control trial study due to the expense and other challenges in running such studies, DiCerbo said — though the nonprofit still plans to conduct that “gold standard” research.



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The future of tennis broadcasting: Excitement-driven AI sports commentary

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ProsodyLM was pre-trained on 30,000 hours of audiobooks and ultimately demonstrated better prosody understanding than prior models across various categories. ProsodyLM could, for example, correctly recognize emotion and stress in speech utterances, without being trained to perform those tasks. By explicitly tokenizing the prosody information and content, the resulting language model can generate very expressive speech, develop a preliminary understanding of emphasis and emotion and successfully clone the styles in reference speech. 

“Now, instead of AI commentators that speak in a monotone level of excitement and sound unnatural to audiences, these tools can express a high excitement level just like human commentators, who get much more expressive during a very exciting rally,” Zhang said.

Looking forward, once the prototype has advanced to production and excitement-driven sports commentary is rolled out in official tennis tournaments, a next step could be letting fans personalize the sports commentary, Feris said. For example, fans could decide if they want high versus low excitement commentary. In the meantime, Zhang said, the team is receiving a lot of interest from researchers and clients working on other sports like Formula 1 car racing.

In addition, this excitement-driven AI sports commentary was part of an IBM “Behind the Scenes” 2025 US Open demo this year of emerging tennis technologies. This means that in the not-so-distant future, you might want to tune in more closely to see if you can detect whether it’s a human or an AI announcer whipping up the crowd after an overhead smash or a tricky drop shot.



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Bristol City Council’s use of AI for creative booklet criticised

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Carys NallyBBC News, West of England

Adam Birch The front of a booklet, with two animated people with their arms outstretched in front of a doorway. It is titled 'Bristol Adult Learning 2025/26 course guide'. Adam Birch

The council’s booklet used AI to create the cover – given away by mistakes including the wrong number of fingers and toes

Designers have criticised a council after it used artwork created by Artificial Intelligence (AI) to promote adult learning courses.

Illustrator Adam Birch complained to Bristol City Council after it released a course guide with an AI cover, adding that using AI to tell people about creative workshops “devalues” the classes.

But he also said it might have been misguided rather than “malicious”.

Bristol City Council leader Tony Dyer said it was updating its guidance around AI and understood the issue raised.

Mr Birch made it clear he does not want the booklet’s AI cover to deter people from taking the creative courses.

He said: “My big concern about it was – is it sending the wrong message?

“Why learn these [creative] skills if, right on the face of the book, you’re devaluing the use of it?”

Mr Birch said there are certain “mistakes” that let the viewer know an image has been created by AI.

“Extra or missing fingers and toes is always a dead giveaway,” he said.

“On the cover [of the booklet], the lady only has four fingers and I think seven toes.”

Adam Birch Adam Birch smiles at the camera, taking a selfie. He has wire-rimmed glasses, a pierced nose and is bald. He's wearing a black t-shirt. Adam Birch

Mr Birch hoped his criticism of the booklet’s cover would not deter people from going to the classes

Mr Birch, who creates illustrations for various outlets, said it was not lost on him that he has got to “move with the times” as an artist.

“I appreciate it from all angles,” he said. “This [cover] cost next to nothing to generate.

“But it would have cost next to nothing to take a photo of one of the classes going on – or used some work from the classes as the material on the cover.

“What you’re doing is wiping out a job.”

@timbirkbeckphotos A black and white image of Luke who's playing the electric guitar on stage. He has a beard and long hair, and is wearing a black T-shirt with white writing on it@timbirkbeckphotos

Luke Oram said AI could be damaging to people starting out in creative industries

Luke Oram, an artist and illustrator from Wick, in South Gloucestershire, said he believed AI will affect young people trying to get a start in the creative industry.

“I worry about the 22-year-old graduate who has no idea how to get into a career, or how to even find any work, who then just feels completely undervalued,” he said.

“[They’ll be] alienated from the culture they’re working in because those opportunities just aren’t common anymore.”

“It’s the erosion of knowledge,” he added. “[AI] is damaging.”

Despite this, some in the creative industry have told the BBC there’s a pressure to use AI.

An artist working from Leamington Spa, who wanted to remain anonymous, said his CEO is now recommending his company use AI in their work.

“We’re being told to bring our heads out of the sand,” he said.

“But the people who will be enriched by AI are at the top. For the people expected to use it, they see it as the opposite of what we should be doing.”

He added: “AI is ‘fast-food’. We never stop to think about whether we should – it’s always whether we could.”

Council ‘understands issues’

The creative course booklets were distributed in July and a total of 72,000 were printed.

Up to 70,250 booklets went to individuals and organisations in Bristol, with a few to South Gloucestershire and North Somerset postcodes.

There are no plans for any further print runs.

Mr Dyer said the council fully understands the issues raised.

“While AI presents exciting opportunities for local authorities to improve and adapt their services, we recognise the strong feelings expressed by residents over our use of AI-generated imagery for this booklet,” he said.

“We are currently trialling some limited use of AI and developing our policies and procedures as we learn.”

Mr Dyer added that since the imagery for the booklet was commissioned, the council has updated its guidance for the use of AI.



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Tesla Falls Short in India With Just 600 Orders Since Launch

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Tesla Inc.’s long-awaited entry into India has delivered underwhelming results so far, with tepid bookings fueling fresh doubts about the company’s global growth outlook.



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