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‘Never seen buzz like this’: Oasis fever grips Manchester before reunion gigs | Oasis

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All around the world, you’ve gotta spread the word. And if the lyrics to the song are right, the word is well and truly out. Behind the bar at an Oasis-themed pub in Manchester’s buzzy Northern Quarter, fans from across the world have planted their flags in a giant map of the globe to show the extraordinary international appeal of the city’s most famous musical sons.

They stretch from New Zealand to Kazakhstan, Greenland to Sudan, with a deluge from the US, South America and China. Most have descended on the bar this week before the band’s first concert in the city in 16 years this Friday.

“We had our first Russians in the other day. The Americans are mad for it – they mither us to death for Wonderwall,” said Paul Gallagher, who owns Definitely Maybe bar with his brother Mark (Manchester’s other Gallagher brothers).

Mark (left) and Paul Gallagher are doing a roaring trade at the Definitely Maybe bar in the build-up to the Heaton Park gigs. Photograph: Christopher Thomond/The Guardian

It is impossible to escape Oasis fever in the music-mad city before the five sold-out homecoming gigs. Every other pub is hosting an after party – and a pre-party. Bars blast out Supersonic at lunchtime, while signs outside advertise “Beer Here Now”. Even Aldi has got in on the act, temporarily rebranding one of its stores “Aldeh”.

Luke Dolan, 24, was making the 8,600-mile round trip from their home in Baltimore, US, with his brother John-Bryant Dolan, 23, and their friend Zack Schutz, 28.

Luke Dolan, John-Bryant Dolan and Zack Schutz have flown over from Baltimore in the US to see their musical heroes on stage. Photograph: Christopher Thomond/The Guardian

Clutching an Oasis fanzine, Dolan was almost in tears as he described their transatlantic odyssey to Heaton Park for the band’s first homecoming gig: “I’ve definitely had a couple of moments where I’ve been almost crying tears of joy and we’re not even at the show yet. I’ll probably be crying. It’s not going to feel real.”

The three have been avid Oasis fans since they were little – marking them out as unusual in their tiny Maryland suburb of Perry Hall – and are visiting the UK for the first time.

They have Schutz’s father to thank for their Manchester music obsession: Stone Roses, New Order and the Smiths were constantly playing at home. “Being here is just surreal because it’s felt like a dream for a very long time,” said Schutz.

The trio have spent almost £3,000 on flights and a hotel for their week-long trip, when they will visit Liverpool, London and the Cheshire town of Macclesfield – the home of the Joy Division singer Ian Curtis. “I’ve never seen buzz for a band like this, ever,” said Dolan. “It’s absolutely incredible.”

The Gallagher brothers are not the only ones profiting from the most lucrative tour in British music history. Hotel and tourism takings soared by nearly 300% in Cardiff during last weekend’s two gigs at the Principality stadium, according to SumUp, a tech firm that tracks card transactions.

At The Manchester Shop, an independent store dedicated to all things Mancunian, sales of Oasis-related products were up 129%, said its owner, Miki Christi. “We’ve been in this game for 10 years and Manchester’s been on such an up, but I’ve never seen anything on this scale,” she said.

Miki Christi is the owner of The Manchester Shop at Afflecks Palace. Photograph: Christopher Thomond/The Guardian

Christi is hosting a Liam Gallagher lookalike competition in Manchester on Saturday, while fans from across the world are trying out their broadest Manc accents. “A Japanese guy came in recently and was like: ‘All right, r kid?!’,” she said.

“It’s not just about Oasis. It’s about Manchester being alive. By Saturday afternoon, this street will be like a champagne supernova. And for God’s sake – it’s not raining.”

While Christi’s shops sells everything from Oasis beermats to postcards, badges and wall art, some have purchased longer-lasting mementos.

Ticket-holders from Australia to America have visited The Studio tattoo parlour, in Afflecks indie emporium, to be inked with their favourite lyrics in the run-up to the gigs.

Colin Thompson, The Studio’s manager, said the excitement in the city was comparable only to the Stone Roses reunion in 2012 but even then “this is a different scale”, he added. “There’s never been so many people in Manchester. It’s going to be absolutely insane,” he said.

Colin Thompson at The Studio has been helping excited fans gain new Oasis-based tattoos. Photograph: Christopher Thomond/The Guardian

Oasis will play five nights at Heaton Park, which neighbours the school attended by the band’s guitarist Paul “Bonehead” Arthurs, before moving on to London, Edinburgh, Dublin and then north America.

Although the band kicked off their 41-date tour in Cardiff last week, for many the Manchester homecoming is the only show in town.

“Cardiff was seamless, it was faultless, honestly it was unbelievable – but it was just a dress rehearsal for Manchester,” said Dave Foran, a music promoter whose Lions Den pub has ordered double its usual quantity of beer for the occasion.

“Everyone you talk to is tingling. Look at that,” he said, showing goosebumps on his forearm. “And that’s just at the thought of it. It’s a phenomenon. Years ago the buzz was amazing but obviously this is what everyone’s been waiting 16 years for.”



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All-in-One AI Design Platform from LogoAI Takes AI Design Beyond Just Logos, Empowering Businesses with Complete Brand Creation Tools

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San Jose, California – September 16, 2025 – (PRESS ADVANTAGE) –

LogoAI, a global leader in AI-powered branding solutions, today announced the launch of AiDesign – its all-in-one AI design platform, expanding its capabilities far beyond logo generation. The new platform introduces an integrated suite of design tools—spanning business cards, social media assets, marketing materials, and brand kits—providing businesses with a comprehensive solution to build and maintain their brand identity seamlessly.

Since 2018, LogoAI has been trusted by more than 3 million businesses worldwide for its industry-leading AI logo generator. Now, with the launch of its all-in-one design platform, LogoAI takes the next step toward democratizing professional branding, ensuring that entrepreneurs, startups, and small businesses have access to a complete ecosystem of design services powered by artificial intelligence.

Logos are the cornerstone of brand identity, but modern businesses require far more to communicate effectively with their audiences. From social media banners to presentation templates and business cards, brands need consistency across every customer touchpoint.

LogoAI’s new all-in-one platform is designed to address this challenge by combining AI-generated creativity with brand consistency automation. Once a logo is created, the system automatically generates matching brand assets, ensuring cohesive visuals across all channels.

“Building a brand today goes beyond creating a logo—it’s about establishing a complete visual identity that connects with audiences across platforms,” said Ping He, Founder of LogoAI. “Our all-in-one AI design platform gives businesses everything they need to look professional from day one. It’s like having a full design agency at your fingertips, but powered by AI.”

The platform introduces a wide range of tools and services designed to help businesses create, manage, and grow their brand identity:

AI Image Editor: The core service that has powered millions of businesses, now enhanced with faster generation and more style options.

Brand Kit Automation: Instantly generates matching color palettes, typography, and style guidelines based on the selected logo.

Business Card & Stationery Design: AI-driven templates for business cards, letterheads, and email signatures that align with brand identity.

Social Media Assets: Ready-to-use designs for platforms like Instagram, Facebook, LinkedIn, and TikTok, ensuring consistent branding across channels.

Marketing Templates: AI-generated ads, flyers, and promotional materials optimized for both digital and print.

Vector-Ready Outputs: All designs are delivered in professional, scalable formats suitable for long-term use.

Customizable Editor: Users can fine-tune AI-generated designs with an intuitive editor, balancing automation with creative control.

The all-in-one design platform is particularly valuable for small businesses and startups that often lack the resources to hire dedicated designers or agencies. By providing professional-grade assets instantly, LogoAI helps businesses establish credibility and save time and money.

“Launching a startup requires juggling a thousand things at once,” said Rachel Gomez, founder of a boutique consultancy and early LogoAI platform user. “With LogoAI, I had my logo, business cards, and social media visuals ready in less than a day. It allowed me to focus on my clients instead of worrying about branding.”

The launch also highlights the growing role of AI in creative industries. While some worry about AI replacing designers, LogoAI sees its platform as a creative collaborator, giving professionals and non-designers alike a foundation to work from.

“AI doesn’t eliminate creativity—it amplifies it,” added He. “Our platform gives users a head start, whether they’re building their first brand or scaling to new markets. For professional designers, it provides inspiration and tools that make workflows faster and more efficient.”

LogoAI’s all-in-one platform is just the beginning of a broader vision. The company plans to expand into AI-powered video templates, website design kits, and even brand strategy recommendations powered by natural language input.

“Our goal is to be the go-to platform for AI-driven branding and design,” said He. “We want to empower every business—from solo entrepreneurs to growing startups—to look professional, stay consistent, and compete globally.”

Founded in 2018, LogoAI is an AI-powered design platform trusted by millions of businesses worldwide. With its industry-leading AI logo generator, brand kits, and now an all-in-one design suite, LogoAI combines artificial intelligence with intuitive workflows to make professional branding accessible to everyone.

For more information, visit www.logoai.com.

###

For more information about LogoAI, contact the company here:

LogoAI
Chris
5715919128
support@logoai.com
3764 PENDERWOOD DR



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Parents of teens who died by suicide after AI chatbot interactions testify to Congress | Business

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Parents whose teenagers killed themselves after interactions with artificial intelligence chatbots testified to Congress on Tuesday about the dangers of the technology.

“What began as a homework helper gradually turned itself into a confidant and then a suicide coach,” said Matthew Raine, whose 16-year-old son Adam died in April.

“Within a few months, ChatGPT became Adam’s closest companion,” the father told senators. “Always available. Always validating and insisting that it knew Adam better than anyone else, including his own brother.”


EDITOR’S NOTE — This story includes discussion of suicide. If you or someone you know needs help, the national suicide and crisis lifeline in the U.S. is available by calling or texting 988.


Raine’s family sued OpenAI and its CEO Sam Altman last month alleging that ChatGPT coached the boy in planning to take his own life.

Megan Garcia, the mother of 14-year-old Sewell Setzer III of Florida, sued another AI company, Character Technologies, for wrongful death last year, arguing that before his suicide, Sewell had become increasingly isolated from his real life as he engaged in highly sexualized conversations with the chatbot.

“Instead of preparing for high school milestones, Sewell spent the last months of his life being exploited and sexually groomed by chatbots, designed by an AI company to seem human, to gain his trust, to keep him and other children endlessly engaged,” Garcia told the Senate hearing.

Also testifying was a Texas mother who sued Character last year and was in tears describing how her son’s behavior changed after lengthy interactions with its chatbots. She spoke anonymously, with a placard that introduced her as Ms. Jane Doe, and said the boy is now in a residential treatment facility.

Character said in a statement after the hearing: “Our hearts go out to the families who spoke at the hearing today. We are saddened by their losses and send our deepest sympathies to the families.”

Hours before the Senate hearing, OpenAI pledged to roll out new safeguards for teens, including efforts to detect whether ChatGPT users are under 18 and controls that enable parents to set “blackout hours” when a teen can’t use ChatGPT. Child advocacy groups criticized the announcement as not enough.

“This is a fairly common tactic — it’s one that Meta uses all the time — which is to make a big, splashy announcement right on the eve of a hearing which promises to be damaging to the company,” said Josh Golin, executive director of Fairplay, a group advocating for children’s online safety.

“What they should be doing is not targeting ChatGPT to minors until they can prove that it’s safe for them,” Golin said. “We shouldn’t allow companies, just because they have tremendous resources, to perform uncontrolled experiments on kids when the implications for their development can be so vast and far-reaching.”

The Federal Trade Commission said last week it had launched an inquiry into several companies about the potential harms to children and teenagers who use their AI chatbots as companions.

The agency sent letters to Character, Meta and OpenAI, as well as to Google, Snap and xAI.

In the U.S., more than 70% of teens have used AI chatbots for companionship and half use them regularly, according to a recent study from Common Sense Media, a group that studies and advocates for using digital media sensibly.

Robbie Torney, the group’s director of AI programs, was also set to testify Tuesday, as was an expert with the American Psychological Association.

The association issued a health advisory in June on adolescents’ use of AI that urged technology companies to “prioritize features that prevent exploitation, manipulation, and the erosion of real-world relationships, including those with parents and caregivers.”

Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.



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Fiverr is laying off 250 employees to become an ‘AI-first company’

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Gig economy platform Fiverr is laying off 250 employees as it pivots to being an “AI-first company,” CEO Micha Kaufman shared in an essay on X. The move affects around 30 percent of the company’s staff, The Register writes, and it’s not uncommon among tech companies in 2025. Duolingo announced similar plans to become “AI-first” in April.

Kaufman describes this process as returning to “startup mode” and writes that his ultimate goal is to turn Fiverr into “an AI-first company that’s leaner, faster, with a modern AI-focused tech infrastructure, a smaller team, each with substantially greater productivity, and far fewer management layers.” Part of the justification Kaufman offers for why Fiverr doesn’t “need as many people to operate the existing business” is that the company has already integrated AI into its customer support and fraud detection programs.

The first sign that Fiverr might justify layoffs with AI came when Kaufman was interviewed by CBS News in May 2025 about the danger the technology posed to employees. Kaufman specifically advised employees to “automate 100 percent” of what they do with AI, while also claiming that wouldn’t make them replaceable because they were still capable of “non-linear thinking” and “judgement calls.” That advice doesn’t seem like it was ultimately helpful for Fiverr’s own employees.

The company’s cuts affect fewer people than a larger firm like Workday, who announced plans to eliminate 1,750 roles in February 2025. Regardless of the size of the company or its level of investment in AI, though, layoffs have the same effect: More work has to be done by fewer people.



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