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Why Kerr County balked on a new flood warning system

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Kerr County Judge Rob Kelly speaks during a press conference at the Hill Country Youth Event Center in Kerrville on Saturday July 5, 2025.

County zeroes in on river safety in 2016

During a camp evacuation ahead of rising floodwaters, a Seagoville Road Baptist Church bus was swept into the Guadalupe River near the town of Comfort during the July 17, 1987 flood. 43 people — four adults and 39 teenagers — were washed into the river. 10 teenagers died.

Political skepticism about a windfall



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Wimbledon men’s semifinals: Live updates, highlights as Carlos Alcaraz beats Taylor Fritz, Jannik Sinner, Novak Djokovic look to advance

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World No. 1 Jannik Sinner and No. 2 Carlos Alcaraz are each one win away from meeting in the Wimbledon final, just over a month after their legendary duel at Roland-Garros crown in June. However, they have No. 6 Novak Djokovic and No. 5 Taylor Fritz, respectively, standing in their way in the semifinals on Friday.

While Fritz provided a strong threat, Alcaraz was able to knock him off 6-4, 5-7, 6-3, 7-6 on Friday. The win pushed Alcaraz into the Wimbledon final for the third-straight year. Alcaraz has won the event the last two years, and will be looking for a third-consecutive Wimbledon title Sunday, where he’ll face the winner of Sinner and Djokovic.

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Sinner and Djokovic will face each other in the semifinals again after the top-seeded Italian eliminated the 24-time Grand Slam winner in three sets at the French Open. Sinner has yet to drop a set at Wimbledon as he looks to avenge his championship loss to Alcaraz last month. Djokovic, 38, continues to age like fine wine as he scraped his way to the semifinal over the last week and a half.

Djokovic has won six of the last 10 Wimbledon men’s singles titles, while Alcaraz emerged victorious each of the past two years, beating the Serbian veteran both times.

How to watch the Wimbledon men’s singles semifinals

Date: Friday, July 11

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Carlos Alcaraz-Taylor Fritz start time: 8:30 a.m. ET

Jannik Sinner-Novak Djokovic start time: 10:10 a.m. ET

Location: Center Court | All England Lawn Tennis and Croquet Club, Wimbledon, London

TV channel: ESPN | ESPN+ | Disney+

Follow along with Yahoo Sports for live updates, highlights and more from the Wimbledon men’s singles semifinals:



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TikTok Star Aldo Miranda Dead at Age 32

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TikTok Star Aldo Miranda
Dead at 32

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5 Takeaways From Justin Bieber’s New Album SWAG

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It’s 2025, and the buzziest underground rap stars are rocking #BEENTRILL snapbacks while unironically penning Tumblr love stories. A Playboi Carti song built around a sample of Rich Kidz’s “Bend Over” spent two weeks on the Billboard Hot 100. And, on Thursday afternoon, Justin Bieber announced that his 7th studio album, succinctly titled SWAG, would be released at midnight. Is it safe to declare it a kushandlyrikz summer?

Bieber seems to have been preparing for one, spending the past few months hitting the studio with Lil B, sparking up to classic Clams Casino beats, and hopping on Instagram Live to preview raw, improvisational snippets over minimalist beats that wouldn’t be out of place on a MySpace-era Soulja Boy mixtape. Though recording sessions for SWAG reportedly concluded in April, it’s not unlikely that its sudden release was influenced by the cultural ubiquity of his awkward and appropriative, yet admittedly iconic catchphrase, “It’s not clocking to you that I’m standing on business,” levied at paparazzi in mid-June. Best to unlock the swag while the iron’s hot.

Despite its title, however, SWAG is free of any sounds even vaguely reminiscent of the ringtone era. Instead, he’s enlisted producers Eddie Benjamin and Carter Lang to provide much of the record’s ’80s-inspired, reverb-laden backing, tapping Mk.gee and Dijon to lend some experimental edge. Compared to Bieber’s previous outings, there’s a distinct emphasis on organic textures and acoustic guitar, aiming for raw intimacy and stadium, or maybe megachurch-sized hooks at the same time. Here are five takeaways from the album.

Sophisti-pop SWAG

SWAG’s production is often cavernous, though not quite in the polished, neon-lit vein of a Weeknd album. Instead, there’s a focus on dusty timbres, blown-out drums, and live instrumentation, all echoing into infinity. Mk.gee’s fingerprints are felt throughout, even when he’s not explicitly credited as a track’s producer, with technically intricate guitar lines weaving through the mix. “First Place” pairs compressed, distorted drum programming with synth leads that would sound at home in an abandoned shopping mall food court, while “Daisies” leans fully into guitar-heavy blue-eyed soul. “Go Baby” occasionally resembles contemporary Bon Iver records with its watery keys and dreamy vocal stacks, which isn’t a huge surprise given their shared collaborator in Dijon.

Cinematic Collabs

Even SWAG’s marquee collaborations with rappers are subject to the moody, spacious sound palette, to strange and inventive effect. On “Way It Is,” Gunna waxes romantic about designer shopping sprees over Vangelis-esque pads, and there’s a definite charm to hearing Sexyy Red’s freaked-out verse echo into an expanse of cinematic synth work. A late-album team-up with Cash Cobain borders on chillwave with its clattering snare rolls and washed-out arpeggios. And is Eddie Benjamin doing a baby-voiced Carti impression on that same track?





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