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5 Takeaways From Justin Bieber’s New Album SWAG

It’s 2025, and the buzziest underground rap stars are rocking #BEENTRILL snapbacks while unironically penning Tumblr love stories. A Playboi Carti song built around a sample of Rich Kidz’s “Bend Over” spent two weeks on the Billboard Hot 100. And, on Thursday afternoon, Justin Bieber announced that his 7th studio album, succinctly titled SWAG, would be released at midnight. Is it safe to declare it a kushandlyrikz summer?
Bieber seems to have been preparing for one, spending the past few months hitting the studio with Lil B, sparking up to classic Clams Casino beats, and hopping on Instagram Live to preview raw, improvisational snippets over minimalist beats that wouldn’t be out of place on a MySpace-era Soulja Boy mixtape. Though recording sessions for SWAG reportedly concluded in April, it’s not unlikely that its sudden release was influenced by the cultural ubiquity of his awkward and appropriative, yet admittedly iconic catchphrase, “It’s not clocking to you that I’m standing on business,” levied at paparazzi in mid-June. Best to unlock the swag while the iron’s hot.
Despite its title, however, SWAG is free of any sounds even vaguely reminiscent of the ringtone era. Instead, he’s enlisted producers Eddie Benjamin and Carter Lang to provide much of the record’s ’80s-inspired, reverb-laden backing, tapping Mk.gee and Dijon to lend some experimental edge. Compared to Bieber’s previous outings, there’s a distinct emphasis on organic textures and acoustic guitar, aiming for raw intimacy and stadium, or maybe megachurch-sized hooks at the same time. Here are five takeaways from the album.
Sophisti-pop SWAG
SWAG’s production is often cavernous, though not quite in the polished, neon-lit vein of a Weeknd album. Instead, there’s a focus on dusty timbres, blown-out drums, and live instrumentation, all echoing into infinity. Mk.gee’s fingerprints are felt throughout, even when he’s not explicitly credited as a track’s producer, with technically intricate guitar lines weaving through the mix. “First Place” pairs compressed, distorted drum programming with synth leads that would sound at home in an abandoned shopping mall food court, while “Daisies” leans fully into guitar-heavy blue-eyed soul. “Go Baby” occasionally resembles contemporary Bon Iver records with its watery keys and dreamy vocal stacks, which isn’t a huge surprise given their shared collaborator in Dijon.
Cinematic Collabs
Even SWAG’s marquee collaborations with rappers are subject to the moody, spacious sound palette, to strange and inventive effect. On “Way It Is,” Gunna waxes romantic about designer shopping sprees over Vangelis-esque pads, and there’s a definite charm to hearing Sexyy Red’s freaked-out verse echo into an expanse of cinematic synth work. A late-album team-up with Cash Cobain borders on chillwave with its clattering snare rolls and washed-out arpeggios. And is Eddie Benjamin doing a baby-voiced Carti impression on that same track?
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Trump asks Supreme Court to take tariff appeal

U.S. President Donald Trump gestures during a cabinet meeting at the White House in Washington, D.C., U.S., August 26, 2025.
Jonathan Ernst | Reuters
President Donald Trump on Wednesday night asked the Supreme Court to quickly accept and rule on an appeal seeking to overturn lower court decisions that found most of his tariffs are illegal.
The request comes five days after the U.S. Court of Appeals for the Federal Circuit, in a 7-4 ruling, said that Trump overstepped his authority when he implemented the steep levies on virtually every country.
That decision threw a central pillar of Trump’s trade agenda into doubt.
Trump is asking the Supreme Court to hear arguments on his appeal in early November and issue a final decision on the legality of the disputed tariffs soon afterward, according to filings obtained by NBC News from the plaintiffs in the case.
Normally, the Supreme Court would take as long as early next summer to issue such a decision.
Treasury Secretary Scott Bessent, in a declaration attached to Trump’s request, said the appeals court ruling “gravely undermines the President’s ability to conduct real-world diplomacy and his ability to protect the national security and economy of the United States,” the filing noted.
Filings by Trump also say that “delaying a ruling until June 2026 could result in a scenario in which $750 billion-$1 trillion in tariffs have already been collected, and unwinding them could cause significant disruption.”
Trump used the International Emergency Economic Powers Act, or IEEPA, to impose steep levies on trading partners, declaring the United States’ federal deficit with other nations a national emergency.
But the appeals court said that “tariffs are a core Congressional power,” not a presidential authority.
“The core Congressional power to impose taxes such as tariffs is vested exclusively in the legislative branch by the Constitution,” the court said.
The appeals court paused its ruling from taking effect until Oct. 14, giving Trump time to ask the Supreme Court to hear his appeal, and the high court to potentially issue an indefinite stay of the decision until it resolves the appeal.
Jeffrey Schwab, senior counsel at the Liberty Justice Center, which represented plaintiffs who successfully sued to block the tariffs, in a statement said, “The government has now asked the U.S. Supreme Court to review this case. Both federal courts that considered the issue agreed that IEEPA does not give the President unchecked tariff authority.”
“We are confident that our legal arguments against the so‑called ‘Liberation Day’ tariffs will ultimately prevail,” Schwab said.
“These unlawful tariffs are inflicting serious harm on small businesses and jeopardizing their survival. We hope for a prompt resolution of this case for our clients.”
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Top Democrat says intelligence briefing cancelled after attacks by far-right Laura Loomer | US politics

Senator Mark Warner said on Wednesday that a meeting he had scheduled at the headquarters of a US intelligence agency was cancelled following online attacks by the far-right activist and conspiracy theorist Laura Loomer.
Warner, the Democratic vice-chair of the Senate intelligence committee, was set to visit the National Geospatial-Intelligence Agency in Virginia in what he described part of his “responsibility to provide oversight and support to our intelligence community”.
The administration rescinded the invitation after Loomer initiated a “campaign of baseless attacks” against him and the agency’s director, Trey Whitworth, he said.
“I can’t overstate how unprecedented and dangerous this is,” Warner said in a fundraising email. “This administration is taking its marching orders from Laura Loomer – a wackjob with a long history of outlandish fringe views, including 9/11 denialism, anti-Muslim harassment campaigns, and associations with white supremacists.”
Loomer posted on social media in recent days complaining that the director of an intelligence agency was hosting a “rabid ANTI-TRUMP DEMOCRAT SENATOR”. She celebrated the cancellation, calling Warner a threat to national security and arguing he should be removed from the Senate committee.
“He weaponized our intelligence agencies to push the debunked Russia Collusion Hoax,” she wrote.
She told the New York Times Warner should “be removed from office and tried for treason”.
Warner told reporters that the decision to cancel the previously unpublicized meeting was made by the office of the defense secretary.
The incident illustrates Loomer’s enduring influence within Donald Trump’s administration. The 32-year-old, who has previously described herself as “a proud Islamophobe”, has acted as a national security and foreign policy adviser to the president. In April, Trump fired six staffers after Loomer gave him a list of people she believed were not sufficiently loyal to the president.
Last month, the administration announced it was planning to stop issuing visas to children from Gaza seeking medical care after complaints from Loomer.
Warner argued that Loomer is “basically a cabinet member at this point” and that Trump and his administration were “caving to whatever she wants”.
“This nakedly political decision undermines the dedicated, nonpartisan staff at [the] NGA and threatens the principle of civilian oversight that protects our national security,” Warner said in a statement.
“Members of Congress routinely conduct meetings and on-site engagements with federal employees in their states and districts; blocking and setting arbitrary conditions on these sessions sets a dangerous precedent, calling into question whether oversight is now allowed only when it pleases the far-right fringe.”
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Old master painting looted by Nazis recovered a week after being spotted in Argentinian property listing | Nazism

Authorities in Argentina have recovered an 18th-century painting stolen more than 80 years ago by the Nazis from a Jewish art dealer in Amsterdam, a week after it was spotted by chance in a real estate listing.
The painting, the long-lost Portrait of a Lady (Contessa Colleoni) by the Italian master Giuseppe Ghislandi, was looted in the second world war. It was handed over on Wednesday to the Argentinian judiciary by the daughter of the late Nazi financier Friedrich Kadgien, Patricia Kadgien, who has been under house arrest with her husband since Tuesday.
Prosecutors allege the couple tried to conceal the stolen artwork. They face a hearing on Thursday on charges of concealment and obstruction of justice. The Guardian contacted her legal representatives, who declined to comment.
The Dutch newspaper AD traced the painting after a years-long investigation that took a breakthrough turn last week when one of its reporters found Kadgien’s house in an online property listing in the seaside city of Mar del Plata.
A photo in the listing showed the missing artwork – last seen in 1946 and belonging to the Dutch Jewish art dealer Jacques Goudstikker – hanging above a sofa in the couple’s living room. AD published its findings on 25 August.
The next day, federal prosecutor Carlos Martínez ordered a raid on the property, but the painting was no longer there. Police seized two unlicensed firearms and two mobile phones.
Four additional raids on Monday uncovered two other paintings that experts believe could date back to the 19th century, along with several drawings and engravings. The judiciary is analysing the works to determine whether they, too, were looted during the second world war.
A federal court in Mar del Plata placed Kadgien and her husband under 72-hour house arrest on Tuesday.
After the fall of the Third Reich at the end of the second world war, several high-ranking Nazi officials fled to South America.
Friedrich Kadgien was among them. He fled the Netherlands in 1946, first to Switzerland, then Brazil, and finally to Argentina, where he had two daughters. The painting is believed to have accompanied him and to have remained in his family’s possession after he died in Buenos Aires in 1978.
The portrait was among more than 1,000 works of art stolen by the Nazis from Goudstikker, who died in 1940 after falling in the hold of the ship carrying him to safety.
Goudstikker’s heirs plan to reclaim the painting, AD reported.
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